This is a “duh” BYSHK for me. After recently posting about former Elliott vocalist Chris Higdon’s new band, Frontier(s), I went back and gave some old Elliott records a spin. The band’s debut album, 1998’s U.S. Songs, is no doubt in my top ten albums of all time. It is amazing how much this band morphed in their brief history of only three studio albums. From the propulsive emo rock of U.S. Songs to the creative bombast of False Cathedrals to the atmospheric journey of their final release, 2003’s Song In The Air, Elliott refused to stand still.
Drummer Kevin Ratterman now plays in Wax Fang and vocalist Chris Higdon, as previously mentioned, fronts Frontier(s).
“Miracle” from U.S. Songs
“Drive On To Me” from False Cathedrals
do you recall getting these records and thinking to yourself why was Revelation Records putting it out at the time? They weren’t anything like their labelmates at the release of US Songs.
Just remembered that I caught Elliott in support of False Cathedrals (in Detroit) around the time that their bassist split the band? I recall the show feeling very electronic.
yeah, elliott was much different than most revelation bands for sure. but the label did put out the texas is the reason stuff even before elliott.
Glad to see someone else out there giving US Songs its due. I just posted a tribute on my website a few days ago. In my opinion, their later ambient stuff is great, but it just doesn’t get any better than the early stuff.
I had the privilege of seeing Elliott live several times when Ben Lord was their drummer, shortly after they had formed. I often wonder what direction the band might have taken had Ben remained with the band. Not to spite Kevin Ratterman, who is a genius (ever heard his solo release Boundless & Starstruck?), but I love the drumming on their first 7″, In Transit. “Watermark High” and “Halfway Pretty” perfectly captures Elliott’s early promise.
Anyway, I know I am six months late on this comment, but I just wanted to share my appreciation of your appreciation!
still listen to this band constantly; ridiculously under appreciated.