Archive for the ‘Music Reviews’ Category


16.03.2010

Pink Razors: Leave Alive

posted by Will

in Music Reviews

pinkrazors

Pop/punk? Check. Short attention span? Check. Is there anything better than a 9 song 22 minutes album to review when you don’t feel like reviewing anything? That was sorta rhetorical but you get the point. Anyway, I’ve enjoyed Pink Razors through the years and Leave Alive is no different. Perhaps I’m just a bit deaf though, I swear the band has turned the Superchunk influence up to ten here. And did this band always have female vocals? Whatever, I dig it! If you like pop/punk you can’t really go wrong with Leave Alive. And this is on No Idea. What more do you need to know? Oh and after further investigation the band did add Erin Tobey on guitar and vocals which would explain those sweet female vocals!

Label: No Idea

Pink Razors “Back Home”

08.03.2010

Review: Yesterday’s Ring/The Takers

posted by Will

in Music Reviews

Dear Suburban Home,

I’m writing to you today to ask you a favor. Will you please stop putting out these folk/country/Americana albums!? I mean, Yesterday’s Ring aren’t that bad but The Takers, well, I just don’t know. This stuff is getting kind of redundant. Maybe you can go back to putting out pop/punk again? At least for a little while perhaps? That would be killer! Or at least more bands like Look Mexico might do the trick. Thanks!

Still your friend,

Will.

P.S. Tim Barry is acceptable.

Yesterday’s Ring “Moving Out (To Florida)”

The Takers “Taker Easy”

05.03.2010

Mixtapes: Maps

posted by Will

in Music Reviews


(Click on album cover to download)

One listen to Cincinnati, Ohio’s MixtapesMaps and you might think you’ve stumbled upon some lost gem from the dustbins of 90’s alternative rock. You oldies know what I’m talking about. Mixtapes could have easily been one of those bands that got inked during the major label signing spree of the early 90’s only to get no push, dropped and break up instead. While that might not sound like the best stamp of approval I mean it in the most flattering way possible. Mixtapes might be a little “guilty pleasure” at first but after numerous listens you come to the conclusion that these are just finely written pop songs with some punky tendencies to boot. Regardless of whether they came out in the 90’s or 2010 bands like Mixtapes still sound perfectly right to me. Wrapping up 10 songs in 18 minutes, Mixtapes’ debut might just be that next addiction for your pop sweet tooth. Let’s just hope they don’t go the way of their ancestors and end up collecting cobwebs in the back of some record store.

You can download Maps for FREE via digital label Death To False Hope Records. Click HERE for the zip.

Mixtapes “Nothing Can Kill the Grimace”

Mixtapes “Hope Springs Eternal”

01.03.2010

Metavari: Be One Of Us And Hear No Noise

posted by Will

in Music Reviews

To call Metavari post-rock is a slight disservice to the band. While musically the band might fall under that broad and ever so boring term, this trio is doing something different from the masses. Mixing instrumental rock with spoken word pieces and fragments, the band is reminiscent of The Books moreso than most post-rock bands.

Metavari’s songs are immaculately arranged and always interesting as they unfold ever so slightly. Be One Of Us And Hear No Noise includes ten songs clocking at less than 45 minutes and completely free of any useless meandering. When is the last post-rock record that gave you that kind of brevity? If you dig bands like From Monument To Masses (minus the political angle), Lymbyc Systym or the aforementioned Books, I highly suggest picking up Be One Of Us And Hear No Noise.

Label: Crossroads Of America

Metavari “Shimmer Marina”

26.02.2010

Best New Music: The Please & Thank You’s

posted by Will

in Best New Music, Music Reviews


(Click on album cover to download)

The Please & Thank You’s is one of those bands that just completely refreshes you. Everything about the band is done with such energy and abandon that you just have to be impressed. The band’s debut Mind Your P’s & Q’s, is so reckless (in a good way) and overflowing with ideas and influences. At heart, The Please & Thank You’s are a pop/punk band but there are elements of geeky power pop (Weezer) and raw emo (Cap’n Jazz) that really give the band a unique spin.

If you are a fan of older pop/punk bands like Zoinks! and Sicko then Mind Your P’s & Q’s will leave you with a shit-eating grin. Much like those bands, The Please & Thank You’s have a penchant for upping the songwriting ante as well as showing off diverse influences. This is the kind of band that gets you all nostalgic while making you excited for the future as well.

You can get the tape from Ice Age Records and the digital download free from Death To False Hope HERE.

Label: Ice Age/Death To False Hope

The Please And Thank You’s “Speaking Of The Devil”

The Please And Thank You’s “Fucking Honestly”

25.02.2010

Vinyl Corner: Franz Nicolay

posted by Ian

in Music Reviews, Vinyl Corner

Saint Sebastian Of The Short Stage Black Vinyl 10″

What a bizarre little EP. Franz Nicolay has recently cast off the travelling keys man schtick (he’s played in/with The Hold Steady, World Inferno Friendship Society, and The Loved Ones in the past year) and struck out on his own as of late. While I haven’t heard his solo debut, Major General, if it is as interesting as this 4-track release, I’m in.

Saint Sebastian Of The Short Stage begins with some spoken word banter between some members of The Dresden Dolls and Franz…stupid. Granted, it’s about how they are all from New England, but it seems forced and over-the-top. And the song itself is just a musical celebration of the geography and attitudes of New Englanders. It’s fun but a total throwaway. After this whimsical start, we have “The Ballad of Hollis Wadsworth Mason Jr.”, an excellent track about one of the central figures of Alan Moore’s Watchmen. It’s a great take on the character in the form of a song and the lyrics and music seem to perfectly evoke the time period in which Mason would have been a masked adventurer.

After this song, the record pulls a one-eighty and ends with two beautiful ballads. The delivery of the line “When the war came…” in the track of the same name bites right through and can induce chills. Nicolay sounds on both this and “I Just Want to Love” like a pianist playing a guitar, which makes for free-moving tunes that develop organically as they are played. The is also an excellent switch in tense in the middle of “When the War Came” that creates a significantly more personal story, as if the author is no longer writing about subjects, but about himself. “I Just Want to Love” closes this feels-longer-than-it-is listening experience on a very honest note as Nicolay ruminates about the life of a musician and how difficult it can be to find love.

All told, this is an odd release and shows some very diverse sides of Nicolay, who is often more associated with the bands he plays with rather than himself. If you enjoy the sounds of almost street performer type arrangements mixed with a hearty slice of melancholy, than this is for you. If your expecting the grandiose nature of other Nicolay projects, I would steer clear.

Label: Team Science

Franz Nicolay “The Ballad Of Hollis Wadsworth Mason Jr.”

25.02.2010

The Taxpayers: A Rhythm In The Cages

posted by Will

in Music Reviews

taxpayers

The Taxpayers hail from Portland, Oregon and play a brand of noisy folk/punk for lack of a better description. I hate to just say Against Me! when looking for comparisons but I guess it should be expected with the style and nature of some of the band’s songs. But there are some songs that are reminiscent of early Mountain Goats material with their nasally vocals and raw production. There’s a bit more of a country element here though and definitely a genuine quality that carries the band and A Rhythm In The Cages along its weary and frustrated way. This kind of reminds me of Billy Wallace and The Wading Girl but it’s a bit more rough and punked up. Not a bad listen but not necessarily the kind of stuff I listen to much these days either.

The album can be downloaded from Quote Unquote Records here or you can purchase a physical CD from…

Label: Useless State

The Taxpayers “Never Getting Warm”

22.02.2010

Vinyl Corner: The Cold Beat / Movers & Shakers

posted by Will

in Music Reviews, Vinyl Corner

Split Lavender Vinyl 7″

Two Boston bands get together for a split and leave the bullshit at the door. I recently reviewed Dan Webb And The Spiders and some of the players on that album appear in these two bands including Webb himself in The Cold Beat. We’ve also got a former member of Lock And Key and I’m sure numerous other former bands are represented here as well.

The Cold Beat play melodic punk influenced rock. I never got around to reviewing The Cold Beat’s first EP, Dumbwaiter but it was quality just like the band’s two offerings on this piece of wax. The band is catchy and really does have a nice genuine quality to their songs.

I’ve covered Movers & Shakers here before and the band still is solid if unspectacular entry into Americana infused rock. I dig the addition of the organ to the band’s songs as it gives them a bit more weight and distinction.

People who just can’t get enough of The Gaslight Anthem, a band that sort of rides the fence between two bands like The Cold Beat and Movers & Shakers, should find something to enjoy here.

Label: Cigar Box Recordings

The Cold Beat “Absolute Zero”

Movers & Shakers “Movin’ On”

22.02.2010

Curtain Rod Character: Schizophrenic Trooper Escorts Witness

posted by Will

in Music Reviews

Brad Walker was in a band that I reviewed here a while back called Some Monastery. Now, he’s got his own thing on the solo tip called Curtain Rod Character. Take your Beck records, maybe a little Eels, then mix them in with the classic indie rock of Sonic Youth and finally throw in some white indie rapping…there you have Curtain Rod Character. I don’t know, Schizophrenic Trooper Escorts Witness is definitely not the usual SAL material but perhaps that’s why 8 months after I got this in the mail it’s still hanging around my desk. Worth a listen for all of us who so are too deeply into our own favorite genres that we rarely take a look outside.

Label: Self-Released

Curtain Rod Character “Eons Of Admirable Quotes”

Curtain Rod Character “Create Your Own Renaissance”

17.02.2010

Best New Music: It’s A King Thing

posted by Will

in Best New Music, Music Reviews


(Click on album cover to download)

I have posted a lot about It’s A King Thing over the years here at SAL, that is true. But, I can honestly say, Buffalo buffalo Buffalo buffalo buffalo buffalo Buffalo buffalo is the band’s coming out party. It really does take a lot for me to become obsessed with an album these days especially with the amount of stuff I try to listen to on a daily basis. But, you need this record! If you don’t know already, It’s A King Thing features former members of the criminally underrated Up Up Down Down Left Right Left Right B A Start. If you love the first two Weezer albums, The Lemonheads circa-It’s A Shame About Ray or bands like Nada Surf and Guided By Voices this record is for you. In the past the band was a rotation of players but this is obviously a cohesive unit for the first time and it shows as the songs are even catchier than before. That’s a scary proposition but with With Buffalo…, It’s A King Thing has refined their sound and become sharper and a more focused in their approach. Despite the humor and innocence on the surface there is a noticeable depth to these songs that is infectious to say the least. Just listen once and you will be hooked. By god, I think we’ve already got a contender for album of the year folks!

Buffalo buffalo Buffalo buffalo buffalo buffalo Buffalo buffalo is available for Free Download

Label: Self-Released

It’s A King Thing “Old Hobbies”

It’s A King Thing “Mush Mouth”

16.02.2010

Take One Car: When The Ceiling Meets The Floor

posted by Will

in Music Reviews

Take One Car hail from Millerton, New York and the band would fit right in on a label like Equal Vision which seems to specialize in this kind of proggy brand of alternative hardcore; you know, the kind of bands that followed and seemed to multiply in the wake of At The Drive-In’s demise. Take One Car are quite adept at the sound and manage to keep my attention for much of When The Ceiling Meets The Floor. Which I should say is no small feat considering this style usually leaves me running for the door most of the time. Take One Car do well when they slow things down and let the atmospheres take over. For fans of the genre I think there is a lot to like here but at the end of the day this just isn’t my thing anymore.

Label: Self-Released

Take One Car “The Entropy Sequence”

16.02.2010

Cory Branan & Jon Snodgrass: Split

posted by Ian

in Music Reviews

First off, ridiculous cover. I wish more people had a sense of humor. These guys obviously do. For this split, Jon Snodgrass and Cory Branan split tunes with Jon getting one extra track but it’s a brief one. There is really only one drawback here and that’s the first tune. “Exciteable” is just pedestrian and does nothing to show off Snodgrass’s excellent arranging skills. After this awkward first step, though, it’s all uphill.

Branan’s lead contribution, “Corner,” walks a delicate line between Tom Waits’ balladry and Conor Oberst’s emotional warble, making for a beautiful song. Snodgrass follows with “Solo in Soho” bleeding right into “Wild One”, the soft, moody atmosphere of the first playing directly against the anthemic catchiness of the latter. The highlight of the record arrives in “Walkaround,” a crazy, careening track that bounces along with no discernable time signature or even direction aside from Branan’s well-told story. The EP wraps up with “Born Apart” and “Yeah, So What,” both of which really serve to exemplify the different styles between these two great songwriters. The former shows off Snodgrass’s ability to layer instruments and atmosphere incredibly well while the latter features more of Branan messing with form and some of the stuffy singer-songwriter conventions. Seriously, this is great stuff aside from one song and well worth the price of admission.

Label: Suburban Home

15.02.2010

For Serious This Time: When You’re In It

posted by Will

in Music Reviews

I got this new For Serious This Time disc in the mail only a few days after I downloaded the album off of If You Make It. So, I figured it was a sign that I should jump right in and review this sucker. Especially considering I let the band’s last submission to SAL languish on my desk for months before discovering the goodness within. Not a lot has changed here, For Serious This Time are still doing the whole jangly emo thing remarkably well. This set of songs does cut back on the twinkly emo vibe a bit and just seems more straight forward and refined to me. All the while the band keeps the loose house show feel of their previous release and scores yet another winner.

Label: Life On An Island

For Serious This Time “Fog Bank”

11.02.2010

Dan Webb And The Spiders: Self-Titled

posted by Will

in Music Reviews

At first the name of the band caused me to toss this aside without given much thought but a few listens through and this is deserved of some space here on SAL. Dan Webb played in a post-hardcore band called Inblackandwhite and is also a member of The Cold Beat. Webb assembled members of Movers And Shakers, The Cold Beat and Get Laid to round out his band of Spiders. This is pretty straight ahead garage punk rock but there are noticeable indie rock flourishes thrown in for good measure. Those variations along with Webb’s strong melodic songwriting pushes the album a notch above the rest of the pack.

Label: Self-Released

Dan Webb And The Spiders “In The Light”

10.02.2010

Alexander The Great: Faces Change

posted by Will

in Music Reviews

Sadly, bands like Alexander The Great seem few and far between in indie rock these days. These guys seem like they would have fit in perfectly on Saddle Creek back in the day with overlooked bands like Sorry About Dresden. You know those bands that sadly fell through the cracks…Alexander The Great seems like one of those bands. Not because they don’t do what they do well but because there is no flare to it. But that’s a good thing in my book. Faces Change is a solid guitar-centric indie rock record that just seems to go along its merry way without ever trying to impress anyone. No bullshit. These guys actually remind me a less poppy Annabel at times as well. Good stuff.

Label: Crossroads Of America

Alexander The Great “Invisible Ink”