I have always been sort of ambivalent towards Beach House. I’ve enjoyed the band’s material but nothing ever really seemed to stick with me. I saw the band open for The Rosebuds a few years ago and can’t remember for the life of me anything about their live show. That’s not usually a good sign. But there is something about the band’s new album, Teen Dream, that I find intriguing and intoxicating. Maybe I’m way off but Beach House remind me of the lovely Mazzy Star. Or even a more lush Band Of Horses (with female vocals of course). Teen Dream is out today on Sub Pop.
Posts Tagged ‘Band Of Horses’

Archers of Loaf anyone? The Poles hail from Asheville, NC so I guess that influence should come as no surprise. Lead singer Todd Lemiesz’s vocals lay somewhere in between the rasp of Eric Bachmann (Archers of Loaf, Crooked Fingers) and the cool of Scott McCloud (Girls Against Boys). Oh and not to mention former Archers Of Loaf/Band Of Horses bassist Matt Gentling is now in the band. Musically, The Poles deal in slower tempos overall but still resemble the angular precision of the Chapel Hill indie rock heroes. For fans of Shiner and the post-Shiner band, Life And Times, The Poles should be a welcome addition as well. This is dark and moody psych/indie rock that powerfully delivers with swaying dynamics and a confident precision.
Label: Doubleplusgood
Bunch of hippies! Yup, Fleet Foxes burst onto the scene earlier this year with their fantastic debut EP, Sun Giant. Quickly to follow is the band’s debut self-titled full-length which is almost as impressive. It really is hard to believe how wet behind the ears Fleet Foxes still are. You would never know it as the band sounds like they have been putting out records for years and years now. With a sound that echoes My Morning Jacket, The Shins and Band Of Horses, Fleet Foxes are adding their own spin to this brand of Americana-laced pop. There is a definite gospel influence in Fleet Foxes soulful sound. That’s mainly because of the rich vocals of front man Robin Pecknold. His vocals and lyrical imagery provide a solid backdrop for the band to add their colorful instrumental touches around. Credit goes to veteran producer Phil Ek as well as the record sounds wonderfully textured. Fleet Foxes possess a timeless nature to their music as many of these songs sound like they could have come straight out of the 60’s. While I enjoyed the Sun Giant EP a bit more, Fleet Foxes have put forth out a strong album full of wide open spaces and intoxicating harmonies. Bunch of damn hippies!
Genre: Indie/Americana/Pop
RIYL: My Morning Jacket, Band Of Horses, The Shins
Label: Sub Pop
White Winter Hymnal
02%20White%20Winter%20Hymnal.mp3
He Doesn’t Know Why
Fleet Foxes needs no more critical acclaim. The band have not even released a full-length yet (their debut, Ragged Wood, is out in May on Sub Pop) but thanks to the power of the world wide web, they are well on their way to a great musical career. Really though, it’s not about just hype in this particular case. On the band’s debut EP, Sun Giant, Fleet Foxes write haunting, moving pop that carves out it’s own special niche. The reverb soaked vocals of Robin Pecknold certainly remind one of Jim James of My Morning Jacket at times. Both vocalists are pulling from different eras. They are just as much old R&B as they are Americana. You can not teach soul and both James and Pecknold have that. Granted, Fleet Foxes aren’t a rock band like My Morning Jacket though. That’s not Fleet Foxes game and these five songs never feel lacking because of it. They band knows they simply do not need to beat you over the head to get their point across. Instead these songs float in and out with beautiful melodies. Sun Giant is subtle and succinct. The soaring vocals of Pecknold do lead the way but the band crafts out some gorgeous musical landscapes behind him. If Sun Giant is any indication, let me offer a warning, you might be sick of hearing the name Fleet Foxes by the end of 2008.
Genre: Indie/Pop
RIYL: My Morning Jacket, Band Of Horses, The Shins
Label: Sub Pop
English House
Grand Archives “The Grand Archives” (Sub Pop)

I think Sub Pop must have a trademark on this sound. Grand Archives, like another newer Sub Pop band, Fleet Foxes share a great deal of similarities to older Sub Pop bands like Band Of Horses and The Shins. Once you find something that works, you might as well stick with it, right? On to the music, you have to admire a musician who leaves a successful band to start his own musical journey. From the ashes of Carissa’s Wierd, Mat Brooke and Ben Bridwell formed Band of Horses. When it became apparent that Band Of Horses was going to be primarily Bridwell’s songwriting vehicle, Brooke left to explore his own path. Enter Grand Archives.
Grand Archives breezes by with ten songs of warm, intimate indie pop. Grand Archives are certainly mining a lighter territory than Bridwell and Band Of Horses. Because of that soft rock characteristic, it sounds as if the band is barely breaking a sweat. Besides the great album opener, “Torn Blue Foam Couch,” the haunting “Sleepdriving” and the misstep into melodrama that is “The Crime Window,” the album has a tendency to just float by unnoticed. Sure, it all sounds natural and even likable but it also fails to leave much of a lasting impression.
I find it all kind of ironic that Bridwell and Brooke couldn’t bare to share songwriting duties. Cause there are a huge amount of similarities between both bands and you have to wonder what the duo might have been capable of if they had stayed together. But, I guess that is neither here nor there at this point. Both have created their own strong entities. There is no doubt that Bridwell has found his niche with Band Of Horses. I expect Brooke and Grand Archives to do the same in the future. Til then though, The Grand Archives is just a pleasant record, nothing more and nothing less.
Genre: Indie/Rock/Pop
RIYL: The Shins, Band Of Horses, Fleet Foxes
Torn Blue Foam Couch
[audio http://www.subpop.com/assets/audio/4009.mp3]
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