Posts Tagged ‘Beartrap’


01.03.2010

Band Spotlight: Rooftops

posted by Will

in Band Spotlight, Best New Music

Who? Rooftops

Where are they from? Bellingham, WA

What do they sound like? Mathy instrumental goodness. I covered the band’s split with Noumenon a while back but I would have never guessed the band’s debut full-length, A Forest Of Polarity, would be this good. Rooftops are predominantly instrumental but the songs that add vocals are just downright heavenly. It’s like some amped up version of This Is Animal Music-era Look Mexico almost. But the band keeps the vocals to a minimum and in reality they just aren’t needed when the songs are consistently this good. At the end of the day you can’t ask for more than this if you are a fan of atmospheric math rock. CD out on Clickpop and Vinyl soon to be out on Topshelf. And yes, I am working this for Beartrap. Life is good.

Rooftops “Raft Easily”

24.02.2010

Heads Up! Tiny Engines To Release Everyone Everywhere LP

posted by Will

in Heads Up

If you didn’t know Tiny Engines is a label I started with two other guys in 2008. This will be our third release overall. 2010 will be much busier for us than our first two years. We’ve got 2 or 3 more releases coming this year!

TINY ENGINES To Release EVERYONE EVERYWHERE LP
——————————————————-

* Pre-order Self-Titled 12″ (out 05/04/10)
* Band now streaming two brand new songs
* Download 2009 debut 7″ for FREE @ If You Make It

——————————————————-

Tiny Engines is pleased to announce that it will release the Self-Titled debut full-length from Philadelphia’s Everyone Everywhere.

The album, which will be released in vinyl and digital formats on May 04, 2010, is now up for pre-order from the label. Tiny Engines will press 500 12-inches on maroon and off-white colorways (350 / 150). To secure a copy of this amazing record, go here.

The band is currently streaming two brand new songs, “Tiny Boat” and “Blown Up Grown Up,” on its Myspace page.

Everyone Everywhere’s eponymous debut builds on the rock-solid foundation laid down on last year’s dynamic 7″, A Lot Of Weird People Standing Around, and further pushes the band’s sonic palette in exciting new directions at every turn. Sure, those lovely Promise Ring vibes remain – not to mention hints of Braid’s twisting-yet-tuneful angularity, the crackling anti-anthems of indie heroes Superchunk and Piebald’s off-kilter sense of melody – but the Philly four piece has honed its songwriting chops, dialed in its amps and seriously upped the ante with this emotionally taut ten-song affair.

On a related note, Everyone Everywhere and Evil Weevil Records, the label responsible for the 7″ version of A Lot Of Weird People Standing Around, have teamed up with the awesome folks at If You Make It to give away a digital copy of the 4-song effort. To download this sweet little release, completely free from financial obligation, go here.

10.02.2010

Best New Music: Communipaw

posted by Will

in Best New Music

Communipaw is another band I am working with for Beartrap PR. The band’s self-released Self-Titled album will be the first album featured in SAL’s brand new albums section where you will be able to download the album for free. Communipaw features the ridiculously talented Brian Bond and plays an intriguing brand of smooth indie rock with brit-pop and alt-country influences. This album made my best of 2009 list but was re-released by the band last month.

Communipaw “Take Over”

Communipaw “2:23″

03.02.2010

Best New Music: Pianos Become The Teeth

posted by Will

in Best New Music

I forgot to mention that Pianos Become The Teeth’s amazing album, Old Pride, was officially released last week on Top Shelf. I’m working this album for Beartrap PR and it has been getting amazing press so far and for good reason. It’s already got a definite place on my 2010 year end list and deserves a spot on Best New Music for sure. If you have ever been a fan of music that gets labeled as “screamo”, past or present, you need to hear these guys. Pianos acknowledge the past but forge their own path and give the genre a much needed facelift.

Pianos Become The Teeth “Filial”

19.01.2010

Post Harbor “Shirakashi” Video

posted by Will

in Music Video

“Shirakashi” comes from Post Harbor’s upcoming album They Can’t Hurt You If You Don’t Believe In Them out February 23rd on Burning Building Recordings. I’m working the album for Beartrap PR and I think it’s amazing. I was a big fan of the band’s first album, Praenumbra.

31.12.2009

Chuck (from Beartrap PR): 2009 Top Ten

posted by Will

in Year End Lists

Chuck Daley of Beartrap PR and Tiny Engines…two fine entities that I can vouch for and you should definitely check out!? Chuck once referred to me as his partner when introducing me. I did not like that.

* Friends Of Friends – Deep Search
Probably my favorite of 2009. Kind of sounds like something from the gruff / melodic No Idea stable of bands, but with lots of other subtle influences thrown in the mix as well. At times its choruses remind me of Avail’s sky-high punk anthems and other times there’s almost a 90s Chapel Hill / Archers of Loaf indie rock vibe. There are terrific lyrics and hooks galore, but it still shreds pretty hard and falls just left of being “catchy,” although it’s not a stretch to call these ten tracks unforgettable. Definitely check this one out.

Download it for free here!

* The G – Hold My Gold
Dirty, fuzzed-out indie rock with ragged punk heart, a knack for melody and a penchant for noisy experimentation.

* Juvenescent Beat! – One Day We’re Gonna Fall Through This Roof
Every year there are a bunch of bands who try to bring back that “true” mid-90s emo sound. This is definitely the best of all of them. This record is passionate, raging and jubilant all at the same time. A great record for anyone who remembers what the “E” word really means.

* P.O.S – Never Better
Hands down the best hip hop record I’ve heard in the past five years. Not that I listen to a lot of hip hop, but this just comes across as so fresh and unique. P.O.S. has a great, earnest delivery and Never Better is overflowing with intelligent, thought-provoking lyrics and really captivating beats. I dunno … maybe I like it because he comes from a punk background and throws out Fugazi references.

* Double Dagger – More
One vocalist, one drummer and one bassist? C’mon …. how arty and pretentious are you? Not very, actually. More is a really fun, upbeat, rhythm-heavy record that will blast a groove about a mile deep through your living room.

* Tigers Jaw – Spirit Desire 7″
I helped release this, so I’ll admit that I’m slightly biased. Still, Tigers Jaw is just one of those bands that seem to write music that appeals to fans of all types of musical genres. The title track is their darkest, most mature offering yet, but maybe their catchiest as well.

* Broadway Calls – Good Views, Bad News
I wasn’t sure if I liked this more than the band’s Self-Titled debut, but in the end I thought that Good Views, Bad News was the stronger overall record. This is pop punk done right – with a little bit of anger and edge and a truckload of unforgettable hooks. Seriously, I dare you to find one single part of this album that isn’t ridiculously catchy.

* What Price, Wonderland? – It Is True, It Is Shakey
The second best emo record of the year … although I’m a little hesitant to even call it that. Emo is certainly the base level here, but it tends to veer all over the place in a sloppy, herky-jerky and reckless way that totally works.

* Teenage Cool Kids – Foreign Lands
Seems like I’m diggin’ a lot of music this year that one could classify as a “throwback” to yesteryear. Summery, fuzzy, punk-tinged indie rock drenched in nostalgia, good vibes and plenty of sweet “whoo hoos.”

* Shook Ones – The Unquotable A.M.H
Okay, so this sounds exactly like Kid Dynamite, but who cares? Kid Dynamite was awesome.

25.11.2009

Where The Land Meets The Sea: Listen For The Gulls

posted by Will

in Music Reviews

wheretheland

Where The Land Meets The Sea’s official debut EP, Listen For The Gulls, pulls together five tracks of dynamic new wave indie rock. I covered the band’s demo a while back and all three songs are here plus two others. Based on the demo Where The Land Meets The Sea could have gone one of two ways. The band could have brightened everything up and gone in a more poppy direction or they could choose to darken the atmospheres down. The band, made up of ex-members of Lock And Key and Smoke Or Fire as well as current members of The Cold Beat, chose the latter approach and for the most part it works really well. There is still that punk rock attitude that shines through here and leads to the Pretty Girls Make Graves comparisons maintaining their accuracy. But, as much as I dig the prominent female vocals I wish the interplay between the male/female vocals was more prevalent throughout. That’s only a minor complaint though. Listen For The Gulls is a nice evolution from the band’s demo. Here’s hoping Where The Land Meets The Sea sticks around to sharpen their craft even more.

Label: Self-Released

Where The Land Meets The Sea – Title Bout

24.11.2009

Balance and Composure: Only Boundaries

posted by Ian

in Music Reviews

balanceandcomposure

First a word of advice to these young fellas – please learn about half-rhyme! One of the few drawbacks to this nice and neat four-song EP is all the direct rhyme. While the convincing vocal performances go a long way towards distracting us from a mess of words that basically share all the same letters save for one each time around, remember that U2 barely gets away with rhyming fire and desire, so I’m just saying. Other than this complaint, though, there is a lot to like here. Balance and Composure reminds me of a less ambient Circa Survive. The songs seem to be meticulously constructed, which is good, because there isn’t a ton of musical talent, just some appealing ideas and solid execution. I also hear a lot of Thursday’s softer moments and some of Sunny Day Real Estate’s grandeur.

The band – for being so young – have a good sense of how to build songs in this spacey-emo genre where atmospherics and conviction are everything. The EP itself also seems to build well, starting with the simplest song and ending with the epic and uplifting “What’s Wrong with Everything.” A very nice record and worth your money if you like the older emo sound without all the catchy choruses depicting ways to cut out your heart. Balance and Composure exude a maturity here (though not necessarily in the lyrics) that bands twice their age still don’t have and it’s encouraging. A little work on the lyrics and some more ambitious musical passages and these kids will find themselves awash in fans.

Label: No Sleep

Balance And Composure “Only Boundaries”

13.11.2009

Only Thieves: Greetings From Levy Park, T.L.H.

posted by Will

in Music Reviews

onlythieves

It is always nice to hear a band completely devoid of the current trends. Only Thieves hail from Tallahassee, FL which seems to be creating a nice little scene for itself down there. The band plays an energetic brand of power pop/indie rock with a definite punk rock spirit. Think Ted Leo with a bit more bite perhaps. What is most intoxicating about Greetings From Levy Park, T.L.H. is the youthful attitude that pervades the band’s material. Five songs in less than 15 minutes and the hooks are plentiful. All I really want to do is hear more. LP please!?

Label: Self-Released

Only Thieves “Does This Bus Stop At 8th Avenue?”

12.11.2009

Higher Giant: Al’s Moustache

posted by Ian

in Music Reviews

highergiant

Well, this is weird. I mean, Higher Giant is a supergroup (of sorts) and it sounds like one; like a bunch of friends (from the Token Entry and Paint it Black pedigree) got together without much time to find consistency in a sound and decided to just roll with the musical punches. This approach sees success (album starter “See You Later, Chopstick”) while also inspiring head-scratches (“The Bad Investment”). There are some cool ideas here, like the Geddy-Lee-fronts-Lipona-or-Ryan’s-Hope-or-A-Wilhelm-Scream bite of the opener. But other tracks see a bit too much classic rock and metal as opposed to the punk sound that sets this band off. When the guys avoid the “Judas Priest gone prog while swilling Schlitz” vibe and focus more on melding their influences into a cohesive sound, they are much more successful.

If you’re looking for an interesting listen, this is certainly that. Problem is, while Higher Giant certainly have history in the punk/hardcore scene, they seem distracted by the novelty of melding their past successes with their personal influences. When it sounds honest, as in the first track and last track (“Union Square”), it really works. Unfortunately, the middle of Al’s Moustache is a bit too slow and confused. When tottering between two and three stars, I try and decide if the release sounds tired and played out or refreshing and new. It’s the latter for this one.

This is a band that needs more time and old-school jam sessions, but knowing the way these groups tend to release a record or two and then move on, I’m not holding my breath.

Label: Black Numbers

Higher Giant “See You Later, Chopstick”

06.04.2009

SAL —> Beartrap

posted by Will

in Random Thoughts

Not much will be going on at SAL this week. I’m taking it easy as I have been way too busy for my health lately. I have unknowingly become webmaster general over at Beartrap as I have been working on that site a ton recently. We’re gonna try to start blogging on a regular basis at the Beartrap site instead of just having boring press releases all over the place. So, I might be spouting off about stuff over there this week instead. Come join us…who knows what will happen.

09.03.2009

Spring Breaking

posted by Will

in Random Thoughts

Alright everyone, I am taking this week off to enjoy the weather and concentrate on getting ready for some upcoming Beartrap projects. This is something that will probably happen a bit more frequently in ‘09. Ah, such is life, I apologize.

Also, I think I announced this on Twitter recently but not sure if everyone (or anyone) saw it. SAL will start to have genre-specific weeks more often in the future. And if you have been paying attention during the last two weeks you will notice the site has already gone in that direction. Upcoming, I have a singer/songwriter week planned out and pop/punk should be close behind. Granted, this will not happen every week but should be fun regardless. See you in a week.

Oh, here’s what I’ve been listening to lately…

Annabel
The Appleseed Cast
Brian Bond
PJ Bond
Neko Case
Cheap Girls (still!)
Joie De Vivre
Morrissey
My Heart To Joy
Oceans
The Reptilian
Tigers Jaw
Touch Committee
Chris Wollard & The Ship Thieves

19.02.2009

Brass: A Small Breath

posted by Bradley

in Music Reviews

While you’ve been distracted by the latest Johnny Come Lately to hit the streets, the highly lustrous and well polished progressive hardcore quintet Brass have been busy honing their craft and taking over your playlists one song at a time.

Following up on a debut like Set & Drift is a challenge of Obamanesque proportion that would make even the most seasoned take a step back.  Nothing doing here.  I can think of no better way to compliment the organic atmospheres Brass created with Set & Drift than with the beautifully intimate and introspective 3 track EP A Small Breath.  I can only assume that the title means that the band only had enough time for a small breath in between LP and EP.  Or maybe this was just a small breath of the whirlwind of mastery that is yet to come.  Either way, Brass keep cranking out exceptional quality in unprecedented quantity.

And I can’t stop listening.

A quick browse will reveal that Brass have a sound that is agreeably difficult to approximate.  Some say Sunny Day Real Estate.  Others, The Dismemberment Plan.  I’ve seen REM mentioned more than once.  Old Jawbox, At The Drive In — I can’t disagree with any of it.  Brass sound like everything and nothing in an instant.  Part of me can’t help but feel that this is how Genesis would sound today if Phil were in his late 20’s and went to Art School.  Wrap your head around that.

The EP is available for download at the Brasslungs along with 4 new tracks recorded in late 2008.  How thoughtful of the band for sharing.  Be sure to return the favor the next time these guys roll into a town near you.  Or at least give them a high five or something.

Genre: Prog-core (What the hell is prog core? – Will)

RIYL: My Genesis reference

Label: Self-Released

Two Skeletons

01%20Two%20Skeletons.mp3

www.myspace.com/brasslungs

06.02.2009

La Dispute: Somewhere At The Bottom Of The River Between Vegan And Altair

posted by Will

in Music Reviews

La Dispute seems to have drawn a polarizing line in the sand with listeners who either love or hate the band. Frankly, it is perfectly understandable when listening to Somewhere At The Bottom Of The River Between Vegan And Altair. If the title did not give it away, the band is eccentric and overblown as they relentlessly push their own boundaries. Somewhere At The Bottom Of The River is frantic and at times a completely exhausting listen. However, if you get past the initial shock to the system you will grow to see a more nuanced atmosphere that the band is able to create. It is here the band shows off a grander scale that is breathtaking given the attention to detail and depths at which La Dispute operate.

No doubt, the similar vocal style and delivery of vocalist Jordan Dreyer to Aaron Weiss of mewithoutYou is difficult to ignore. But, it is the band’s instrumental intricacies added to Dreyer’s vocal eccentricities that allow La Dispute to penetrate the listener. Echoing the techy, mathy sound of a band like Hot Cross at times, La Dispute run circles around Dreyer’s hypnotic poetic verse. The band are equally adept at creating such a natural flow on Somewhere At The Bottom Of The River. This is an album in the truest sense as it slowly unfolds and each song compliments the entire piece. The only question is by the end of the journey have you crossed over from exhaustion into exhilaration? That will determine what your final prognosis of La Dispute’s Somewhere At The Bottom Of The River Between Vegan And Altair will ultimately be. I will take the easy way out and just say I am exhiliratingly exhausted.

Genre: Post Hardcore/Screamo

RIYL: mewithoutYou, Hot Cross, At The Drive-In

Label: No Sleep

Said The King To The River

02%20Said%20the%20King%20to%20the%20River.mp3

Fall Down, Never Get Back Up Again

05%20Fall%20Down%20Never%20Get%20Back%20Up%20Again.mp3

www.myspace.com/ladispute

30.01.2009

Band Spotlight: Castevet

posted by Will

in Band Spotlight

Who? Castevet

Where are they from? Chicago, IL

What do they sound like? Melodic Beard Punk with obvious Illinois influences like Ghosts And Vodka, Colossal, American Football and Braid. I quickly imagined a meatier, mathier version of Small Brown Bike or Bear Vs. Shark. How amazing does that sound? Well, if the first three songs from Castevet are any indication, it sounds pretty damn sweet. The band’s debut full-length, Summer Fences, is recorded and scheduled to be released by Count Your Lucky Stars (Beartrap!) in Summer ‘09. Castevet feature a member of the amazing Oceans!

You can download the band’s three song I Know What A Lion Is demo here.