Definitely one of the first great albums of 2010 is The Monitor from Titus Andronicus. If you are still mourning the loss of Desaparecidos after all these years, well, you should probably get over it already. But, regardless Titus Andronicus should fill that void at least a little. I enjoyed the band’s 2008 album The Airing of Grievances but The Monitor seems a bit more refined in its approach and more countrified as well. That might turn off some previous fans of the band but these guys are still sharp in my book. They got that ramshackle guitar indie rock thing going for them quite well. And you can definitely feel the Springsteen/Jersey influence here as well as a little Neutral Milk Hotel at times. I can dig it all. The Monitor is out March 9th on XL.
Posts Tagged ‘Bruce Springsteen’
There are certain things that make you feel American. For example, complaining about slow service in French restaurants is one. Another may be thinking Europeans really love Stella Artois. How about swearing soccer isn’t football but really soccer? A less embarrassing and offensive way is to rock out to the new Hold Steady.
The Hold Steady released their forth studio album, Stay Positive, on July 15th of this year. Like previous albums, it is a collection of songs about American kids and the booze, drugs and partying that their lives revolve around.
Stay Positive starts out strong with “Constructive Summer”, a song that exalts the summer drinking. Fans will be quickly reminded of Craig Finn’s wonderfully simple lyrical mastery. Thankfully that doesn’t diminish and is even fortified with the next track “Sequestered in Memphis”. It is easy to see why the band chose this song as the first single. It is the kind of Rock and Roll song that you’d be happy to be caught singing, almost like “Born to Run” in the 80’s. Unfortunately, the album never returns to the pop brilliance of those songs or Boys and Girls in America for that matter. Not to worry, the rest of the album is still worth weeks of consecutive play. “Slapped Actresses” pounds out rock style with fading choruses that conjures up visions of Archers of Loaf’s “After the Last Laugh”. The Hold Steady explore new musically directions with songs like “Both Crosses”. It has an empty, western feel, like something from Calexico or Nick Cave. The more moody songs like “Lord I’m Discouraged” are a good asset to the album but they just don’t quite hit you like “First Night” or “Don’t Let Me Explode”. It might be that the subject matter just isn’t as obvious.
The Hold Steady gets lot praise from critics and fans but who can complain (except for Will who still thinks Lftr Pllr is better, jerk!). Like previous releases, Stay Positive will remind people why they love American Rock and Roll. It might not be as strong as Boys and Girls in America but most listeners really won’t care. Oh, the band gets mad props for referencing “Double Whiskey Coke No Ice“ by the D4 (Dillinger Four! – Will.). Seriously, that is fucking awesome.
Genre: Rock and Roll
RIYL: Lifter Puller, Bruce Springsteen, The Replacements
Label: Vagrant
Constructive Summer
01%20Constructive%20Summer.mp3
Stay Positive
It has been almost three years since Toronto’s art/folk/punk rocker’s The Constantines compelled Indie audiences to collectively pump there hands in celebration of a new album. With all of this wait fan’s must be wondering, “Was it worth it”? The answer is … kind of.
The Constantines forth lp Kensington Heights makes its trip to the US by way of the Arts and Crafts record label. Most Indie fans know this label through Canadian all-star pop group Broken Social Scene and since The Constantines’ old label Three Gut shut down, Arts and Crafts has picked up the logistics.
Kensington Heights makes its first strike with the furious but restrained “Hard Feelings”. Long time listeners will probably be a little disappointed here as this is the weakest intro to a Constantines album to date. Fear not loyal fans, the album has much stronger moments. Particularly toward the middle of the album listeners are treated with the slow and sweet song “Time Can Be Overcome”. The song rocks from side, pushed by band leader Bryan Webb’s soulful vocals. Immediately afterward, The Constantines crash down with the 7/4 downbeat driven “Brother Run Them Down”. Staying consistent in its power rock theme, the song invokes a feeling of triumph in simplicity. Fans of The Constantines older material might enjoy “Million Star Hotel”. The song has a large open chorus with the guitars and organs sharing melodic duties with bass and crash cymbals hammering downbeats into the bands collective space. The Constantines return to more blues influence, a la Shine A Light, in “Million Star Hotel”. The song feels tired and frustrated, on purpose, with disconnected rhythms and straining vocals. It is perhaps one of the more memorable rock moments of the album. The album concludes with noisy gospel “Do What You Can Do”. The song moves the audience with its simple praises reinforced with heavily distorted guitars.
For fans of The Constantines this album may be a disappointment. The band has traded the rough choruses spelling out “o-v-e-r-d-o-s-e” to a focus on a single male lead. The new folk direction isn’t as powerful or as moving as the soul-punk (yes I said it) of its predecessors. Fans should pick this one up however. It is good enough to be a Constantines album. Newer fans might want to start with the self titled however.
Genre: Punk/Indie/Folk
RIYL: Colour Revolt, Fugazi, Bruce Springstee, Neil Young
Label: Arts and Crafts
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