Posts Tagged ‘Holopaw’


16.11.2009

A Lull: Ice Cream Bones

posted by Will

in Music Reviews

alull

A Lull is certainly a change in direction for the three members that make up the band. Nigel Dennis, Mike Brown and Todd Miller all hail from of other rock-centric bands (The Evaluation, The Skies We Built, Ateriavia) but on their debut EP, Ice Cream Bones, they are pulling from a completely different set of influences. It sounds as though the guys have been listening to lots of hip indie bands (Animal Collective) but there is something that works really well for me here. Perhaps it is the succinctness of it all…4 songs in 11 minutes breeds multiple listens. A Lull kind of reminds me of a band like Holopaw. Both have a rustic beauty but A Lull throw on many more layers over the vocals. Ice Cream Bones is a fine teaser for a band that is hard at work on their first LP scheduled for release in early 2010.

Label: Lujo


A Lull “Skinny Fingers” from A Lull on Vimeo.

www.myspace.com/alullmusic

28.09.2009

Heads Up! New Holopaw!

posted by Will

in Heads Up

HolopawCDJacket

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09.06.2008

Megafaun: Bury The Square

posted by Will

in Music Reviews

Intermingled within the same musical tree that spawned Ticonderoga, Bowerbirds and Bon Iver, Megafaun are a fascinating indie/experimental/folk band from Raleigh, NC. The band’s intriguing debut, Bury The Square, resides in the same vicinity as the recently reviewed Border Radio by Blake/e/e/e. Both bands are mining the same folk territories on their respective debuts. Yet, Megafaun and Blake/e/e/e are able to break free from any constrictions as their wild, roaming spirits guide them. Megafaun eschew psychedelic aspects though; instead opting for an experimental takes on conventional folk. After the beautiful album opener, “Find Your Mark,” “Tired And Troubled” shows off that experimental side of the band. The song sounds like a hodgepodge of tape loops mixed with a rainy day acoustic folk song. But, just as the band can turn a normal song into a tape embattled hiss-fest, they can write beautifully poignant songs laced with subtle banjo and longing vocals as well. Hell, the eleven-minute “Where We Belong” encompasses all those aspects with a little feedback thrown in for good measure. “Drains” is perhaps the most stripped down song on Bury The Square and it is also the most moving. Megafaun strike a vital nerve with strained vocal harmonies that seep over less-than-perfect guitar-plucking. Clearly showing off their imperfections allows the listener to come to a striking realization. Megafaun are wonderfully flawed in every way.

Genre: Indie/Experimental/Folk

RIYL: Holopaw, Sparklehorse, Califone

Label: Table of the Elements/Radium

Find Your Mark

01FindYourMark.mp3

www.myspace.com/megafaun

02.05.2008

Blake/e/e/e: Border Radio

posted by Will

in Best New Music, Music Reviews

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The dub of the appropriately titled album opener “Holy Dub” opens up Blake/e/e/e’s Border Radio. While it is not necessarily a harbinger of things to come, it does speak to the wide open frontiers that lay ahead of the listener. Border Radio reminds me of a band like Califone and their unique brand of songwriting. Both Califone and Blake/e/e/e are centered around folk but extensively explore the experimental side of the genre. Both groups hail from Chicago as well.

After arguably the album’s two most accessible tracks, “New Millenium’s Lack Of Self Explanation” and “The Great Rescue Episode,” the band sets off on a great exploration. Touching on another Chicago musician, “Narrow Zone” sounds like some of Tim Kinsella’s more off-the-wall material. The abrasive “Time Machine” is what I would describe as a misstep. But even a misstep brings out the charm of Blake/e/e/e. At every point of Border Radio, the band shows a willingness to use their entire sonic space. “The Thing’s Hollow” sees Marcella Riccardi taking over on vocals for the first time. Recalling the grace and power of PJ Harvey, the song rumbles below the surface before coming to an appropriate end. “Holy Yes To The Sunny Days” majestically recalls Sub Pop’s Holopaw with its banjo and understated beauty. The 10 minute “Dub-Human-Ism” is next and it is almost hypnotic in its other-worldly approach. Album closer “Saint Lawrence Tears” sees Riccardi making another vocal appearance. Once again, it is a highlight as her voice floats over a lone banjo. The song is a powerful statement that leads the album to a timely finish. The production of Settlefish guitarist Bruno Germano should be noted as he always allows the band’s unmistakable personality to breathe through.

In essence, Border Radio is a telling album title. Blake/e/e/e take the listener on a vivid and diverse musical journey. The band walks the tightrope of being eclectic but hardly ever to the detriment of their songs. Through fields of indie, folk and psychedelic rock, Blake/e/e/e delve into the heart and soul of experimental songcraft. Afterall, this is not radio, it’s Border Radio.

Genre: Indie/Experimental/Folk

RIYL: Holopaw, Sparklehorse, Califone

Label: Freefolk

New Millenium’s Lack Of Self Explanation

02_New%20Millennium's%20Lack%20Of%20Self%20Explanation.mp3

The Great Rescue Episode

03_The%20Great%20Rescue%20Episode.mp3

www.myspace.com/blake3e