Posts Tagged ‘Hüsker Dü’


05.02.2010

Band Spotlight: Sundials

posted by Will

in Band Spotlight

Who? Sundials

Where are they from? Richmond, VA

What do they sound like? Power pop/punk goodness! Man, these guys remind me of someone and I just can not put my finger on it exactly. I’ve been racking my brain and going through old CDs but to no avail. Oh well, I will figure it out eventually and all you need to know is that this is great stuff either way. I could tell by the band’s influences that I was gonna love them…”The Lemonheads, Dinosaur Jr, Jawbreaker, The Weakerthans, Husker Du…”, I mean, c’mon!

If you dig modern stuff like Cheap Girls, Failures’ Union or Tin Armor you can add Sundials to your list of favorites.

The band’s first six songs are available for free download from If You Make It. And of those six, the first three songs will be released as a 7″ on Impermanent Records which I will definitely be purchasing!

Sundials “Neighborhood Well”

05.01.2010

Best Of 2009: Volume One

posted by Will

in Year End Lists

I have decided to combine LPs and EPs together into one big end of the year lovefest. No rankings til I get to my Top Ten. Click on the album cover for any more coverage.

Cheap Girls “My Roaring 20’s” (Paper + Plastick)

While it might not live up to the charm of their debut, My Roaring 20’s eschews any real sophomore slump and cements Cheap Girls as one of the brightest young bands around today.

Witches “Self-Titled” 7″ (Salinas/Mandible)

Simply gorgeous and mesmerizing songs and I can’t wait for a full-length.

Wooden Birds “Magnolia” (Barsuk)

Not better than AmAnSet but equal to at least. Welcome back Andrew Kenny. We missed you.

Grown Ups “Songs” EP (Kid Sister)

So many great young bands springing up and Grown Ups are one of the best. Pop punk with noodles!

Sleep Bellum Sonno “Judge Us By How We Lived Our Lives, Not By How We Made A Living” (Self-Released)

I understand that a lot of people probably won’t get these guys but I swear if you give this concept album time it is a moving experience. Proggy, arty hardcore with balls and intelligence. If you miss how mewithoutYou once sounded you should listen to Sleep Bellum Sonno.

Certain People I Know “4 Songs” EP (Self-Released)

I don’t understand why more people don’t talk about this band. Hell, it’s members of Braid and it basically sounds like Hey Mercedes with the addition of female vocals.

Communipaw “Self-Titled” (Self-Released)

The supremely talented Brian Bond and his band play a smooth and confident brand of indie rock laced with alt country and brit pop influences. These kids sound wise beyond their youthful ages.

Teenage Cool Kids “Foreign Lands” (Protagonist)

Built to Spill – The Jammy Parts + More Hooks = Teenage Cool Kids

Latin For Truth “We Are Sick of Not Having The Courage To Be Absolute Nobodies” EP (Pitfall)

I listened to this EP non stop upon first receiving it. Fast paced pop punk with definite hardcore influences throughout.

Dude Japan “Self-Titled” Demo (Self-Released)

Husker Du-ish Lo-fi indie power pop. These songs just have a way of slowly finding traction and before you know it they are on repeat in your head for days.

14.12.2009

Vinyl Corner: Used Kids

posted by Will

in Music Reviews, Vinyl Corner

Yeah No Black Vinyl 12″

UsedKidsLP

Wow, for some reason, this is nothing like what I was expected. I was totally thinking that Used Kids were geeky power pop. But, actually, Yeah No is some straight up rock n’ roll with punk and Americana influences thrown in. It’s not a bad listen but honestly a lot of it comes off as super cheesy to me. I mean the three bands bantered about in regards to Used Kids are Husker Du, The Jam and Exploding Hearts and quite frankly I don’t hear any of those bands here. If I did I would be singing a different tune most likely. Hell, there’s a few songs here that remind me of John Mellencamp for god sakes. I mean, this ain’t terrible and I bet the band is fun live but I can’t imagine I’ll be listening to Yeah No ever again. Sorry.

Label: Salinas

Used Kids “An Honorable Man”

06.10.2009

Band You Should Know: Hunters, Run!

posted by Will

in BYSK

huntersrun1

I received Hunters, Run!’s EP2 in the mail recently and what a pleasant surprise it has been. The band has been around for a few years but has flown under my radar somehow. Imagine Ted Leo or Elvis Costello fronting Husker Du or some ridiculously awesome combination like that. You can also throw in some new wave influences as well ala Talking Heads perhaps. The band is in the process of releasing four EPs as limited 7-inches which showcase their new songs and artwork of up & coming artists. I downloaded EP1 recently and it lives up to the glory of EP2. I will be diving into the rest of the band’s back catalog as soon as possible and am looking forward to EP3 and EP4 upcoming. This is great stuff that manages to stick out out as unique yet never “hip” if you know what I mean. You can buy Hunters, Run music here.

Hunters, Run! “If I Had Half A Chance

14.10.2008

Askeleton: The Personalization

posted by Will

in Music Reviews

I had no idea Askeleton mastermind Knol Tate was once a part of Kill Sadie and The Hidden Chord, both bands that occupy space in my music collection. Tate began Askeleton after the demise of those bands back in 2002. While there are certain small similarities to The Hidden Chord’s jumpy post-punk, there are certainly no hints at Kill Sadie’s experimental screamo. Instead, Askeleton’s The Personalization is timeless and refreshing in its simple attitude and approach. Tate, much akin to an artist like Ted Leo, has a keen sense of the subtle pop hook. So much so, that you might not even notice how infectious a melody is til hours later when you find yourself humming it. The Personalization is that kind of album though. It will sneak up on you when you least expect it. Tate has the Twin Cities running through his veins and he makes that apparent throughout the album. The free-flowing lyrics (Craig Finn/Lifter Puller/The Hold Steady), the bar rock looseness (The Replacements/The Hold Steady) and the melodic power pop nuggets (Bob Mould/Hüsker Dü/Sugar) all speak to Tate’s surroundings. There are some albums that I will continue to listen to cause I have a gut feeling they will eventually hit me. Askeleton’s The Personalization did just that and it was well worth the wait.

Genre: Indie/Pop/Rock

RIYL: The Hold Steady, The Rosebuds, Ted Leo

Label: Goodnight

Move To Switzerland

01%20Move%20To%20Switzerland.mp3

This Isn’t French

02%20This%20Isn%27t%20French.mp3

www.myspace.com/askeleton

27.06.2008

No Age: Nouns

posted by Will

in Music Reviews

Along with Fuck Buttons album, Street Horrrsing, you can chalk No Age’s Nouns up as 2008’s biggest out of left field surprises for me. Los Angeles’ No Age burst onto the scene in 2007 with their release, Weirdo Rippers. The album gathered the band’s early singles but despite the buzz, No Age were never embraced by these ears no matter how hard I listened. On Nouns though, something remarkable happens as the band stretches their range. No Age have incorporated and embraced melody into their songs like never before. Perhaps it was a conscience move on the band’s part or maybe it had something to do with their subsequent move to Sub Pop (which I am sure came with bigger budgets/studios). Either way, Nouns sees the band reaching farther than their usual brand of lo-fi drum and guitar hiss and the band pulls it off more times than not. Nouns is fuller and an overall more satisfying affair for the band and the listener. Sure you can portray this as the usual constant struggle between noise and melody but on Nouns it is apparent which faction has finally won out. In the end No Age are creating nothing more than pop music bathed in fuzz. And Nouns sounds like a joyful noise to these ears.

Genre: Indie/Noise/Rock

RIYL: Times New Viking, Husker Du, Parts & Labor

Label: Sub Pop

Eraser

4260.mp3

www.myspace.com/nonoage

12.05.2008

Trever Keith: Melancholics Anonymous

posted by Will

in Music Reviews

For people who have followed Face To Face over the years, it sure is wonderful to hear the familiar vocals of Trever Keith once again. As the blitzkrieg of opening track “Cross Your Heart And Hope To Die” blasts from the stereo it feels like a warm embrace from a long lost friend. Melancholics Anonymous is Keith’s unfortunately titled solo debut. Thankfully, the album sheds the singer/songwriter tag, instead going for a full band approach the majority of the time.

It becomes apparent half-way through Melancholics Anonymous that the album owes a great deal to Face To Face’s most controversial release. The ill-received 1999 album, Ignorance Is Bliss, was the band’s attempt to move out of from under the melodic pop/punk constraints. The album was seen as a failure at the time by many fans. So much so that the band let the fans pick the songs for the next record which was sarcastically titled, Reactionary. Through the subsequent years though, Ignorance Is Bliss has won quite a few Face To Face fans over, including myself. And fans of that album and Face To Face in general should find a lot to love in finally hearing Keith again on Melancholics Anonymous.

If you study Face To Face’s excellent covers album, 2001’s Standards & Practices, you can really see where the band’s influences were birthed. On that album, the band covered artists as diverse as Jawbreaker and Fugazi to The Smiths and The Psychedelic Furs. On Melancholics Anonymous those influences become even more apparent. The hints of British pop are coated all over Keith’s solo debut. Perhaps the most telling cover of Standards & Practices is Sugar’s “Helpless.” Bob Mould who had previously fronted melodic punk band Hüsker Dü moved into more accessible waters with Sugar’s finely coated pop rock. Keith emulates that movement here as he settles into a successful groove of pop bombast mixed with brit-pop tenderness. It results in an album chock full of alt-rock nuggets.

Despite Face To Face’s recent reunion shows, Melancholics Anonymous prove that Trever Keith will be just fine when he finally decides to leave Face To Face completely in his past. Granted, if you never liked Face To Face then you might want to move on before you start. But, if you ever had a soft spot for the band then you should at least give Keith’s Melancholics Anonymous a try. It might just surprise you.

Genre: Indie/Alternative/Rock

RIYL: Face To Face, Bob Mould, Samiam

Label: Self-Released

Cross Your Heart And Hope To Die

1crossyourheartandhopetodie.mp3

Half Asleep

7halfasleep.mp3