Posts Tagged ‘J. Robbins’


01.02.2010

Band You Should Know: Thinking Machines

posted by Will

in BYSK

I found out about Thinking Machines a while back from the always excellent site, Built On A Weak Spot. I never posted anything on them but I recently listened to the band’s 2008 album, A Complete Record of Urban Archaeology once again and just had to write something up. The band plays a melodic brand of mathy post-punk that fans of the DC sound should fall in love with rather easily. Did J. Robbins produce this (I don’t have a physical copy. Thanks eMusic)? It kind of has that slick yet powerful sound to it. If anybody remembers Actionslacks, I swear these vocals sound remarkably similar to that guy. And oddly enough I think Robbins produced an Actionslacks record. Anyway, back to Thinking Machines. The band was recording for their next album in late 2009 so hopefully we see something new in 2010.

Thinking Machines “Urban Archaeologist”

09.12.2009

The Return of Jawbox

posted by Will

in Music Video

01.06.2009

Sylvie: Trees And Shade Are Our Only Fences

posted by Steve

in Music Reviews

New from Saskatchewan-based Sylvie is their third release titled Trees and Shade Are Our Only Fences. Sounding at times like a more urgent Jawbox, Sylvie combines straight-ahead indie melodies with driving post-rock guitar and drums. The comparison to Jawbox might be cheap or easy since this release was produced by Jawbox founder J. Robbins. But like Jawbox, Robbins seems intent on taking the band through a range of emotions from the frantic standout opening track “Please Make it Home” to the melodically effusive Suitcases, my favorite track. While Sylvie does not break new ground here, the sound is always crisp and well executed. In general, the songs are more elaborate and sound more structured than 2005’s An Electric Trace. Vocals continue to be handled by Joel Passmore, however bassist Riva Farrell Racette is featured prominently and provides a softening female counterpart on several songs. New to Sylvie with this release is Erin Passmore, Joel’s sister, who plays keyboards and provides backing vocals, which helps create a fuller sound than the last release. Note that Joel and Erin Passmore play together in the band Rah Rah also based in Regina, Saskatchewan. It seems like Canadian bands are like co-ops that can seamlessly share members. Trees and Shade Are Our Only Fences was released in Canada on Smallman Records and on Wednesday Records in the US.

Label: Wednesday / Smallman

Please Make It Home

01%20Please%20Make%20It%20Home.mp3

www.myspace.com/sylviemusic

27.06.2008

Robbins and Rahim in EQ

posted by Courtney

in Asides, Music News

Robbins and Rahim in EQ

Read more

03.06.2008

Various Artists: For Callum

posted by Courtney

in Music Reviews

Callum Robbins was born on Janurary 27, 2006. The son of DC indie rock veteran J Robbins and Janet Morgan, Callum was diagnosed with a genetic motor neuron disease called Type 1 SMA, or Spinal Muscular Atrophy 8 months after his birthday. Almost immediately after this was announced the indie rock community responded in the best way it knows how, through music. One example is the 2 Disc, 32 track compilation appropriately named For Callum. Released through the efforts of The Cultural Society, Catlick Records, & Letterbox, For Callum greets the listener with written praise for the mother and father by Robbins Bff and Jawbox drummer, Zach Barocas. It is then off to the music collection.

Thrity year old indie rock fans like myself will be happy to see veterans such as Jawbreaker and Mission of Burma. The former contributed a demo version of their track “I Love You So Much It’s Killing Us Both”. Originally released on “Dear You”, this track has a more cathartic bridge and rougher sound overall; a nice addition to any Jawbreaker fans collection. Mission of Burma contributes a live version of their Cream cover “NSU.” The song starts with a simple pulse on the toms but then quickly blazes into Mission of Burma’s brand of rock noise. The album also features an unreleased track from a personal favorite, The Life and Times. Slow and simple, this track focuses on the bands love affair with their Moog and its humble and ethereal drone. Another favorite track (please no comments Will) is a previously unreleased track from Channels. Channels is Robbins and Morgan’s band completed by percussive wiz kid Darren Zentek. Sweet and sad this track is uncharacteristically Robbins. Multiple guitar tracks torment the listen with poignant pitch bends that are resolved by some of J’s strongest vocal work to date.

The compilation also features several great Minneapolis acts. Icy Shores contribute the melodic rocker “Backseat”. With its powerful vocal hooks, it reminded me of some of post-punkers Juno’s more rocking tracks. Halloween, Alaska’s track “Halloween” makes great use of digital effects against subdued vocals, all carried through multiple song movements. As for Self-Evident, they just plain rock. I found myself listening to “Word As A Verb” over and over again. It is asymmetrical, dissonant and heavy on the drums. Of course I could go on and on about this comp. With over 30 tracks there is going to be something for every type of Indie Rock fan. Do yourself and a beautiful family a favor, buy it.

Genre: Indie/Rock

RIYL: Indie Rock

Label: Catlick

For more information about Callum Robbins, please visit:
www.callumrobbins.blogspot.com
www.desotorecords.com/cal

For more information about SMA, please visit:
Spinal Muscular Atrophy Foundation: www.smafoundation.org
Families of Spinal Muscular Atrophy: www.fsma.org

15.04.2008

Speaker Speaker: Call It Off

posted by Will

in Music Reviews

speakerspeakerlp.jpg

I mentioned in my review of the Seattle’s Speaker Speaker’s EP here, that a full length was already recorded and waiting on release. Well, now we have the release of Call It Off. The album was produced by J. Robbins which might be a bit misleading at first. This is not Dischord/DC influenced indie rock in the slightest bit. Speaker Speaker actually echo the sounds of classic punk like Ted Leo, The Buzzcocks or even the power pop/punk of 90’s era Lookout Records. But, to be more exact, Speaker Speaker sound an awful lot like their Washington state brethren in the sadly defunct pop/punk band, Sicko. While Speaker Speaker are not as over the top humorous as Sicko, the two bands share a wealth of similarities. Call It Off is a fast paced affair as the band rarely takes their foot off the gas pedal. The band also reminds one of Portland’s Thermals in the way their attack their songs. But a lack of tempo shifts can spell doom for any album no matter how strong the songs may be. For the most part though, Speaker Speaker do an excellent job in keeping the listener’s attention. Songs are able to stand on their own and the band’s pop chops continue to shine through no matter the direction the band pushes towards. Still, even though this is the kind of stuff I usually fawn over, Speaker Speaker have not fully won me over yet. The trio certainly have the songs and the ability to put a big fat grin on your face but something still seems a bit lacking here. I hate to be so vague cause I have listened to Call It Off numerous times now and it is always an enjoyable affair. So, I guess I’ll just chalk it up to my own ignorance and go ahead and recommend Call It Off. Hell, you could do a lot worse. One side note, the album artwork by Jesse LeDoux is impressive.

Genre: Indie/Pop/Punk

RIYL: Sicko, Jawbreaker, Ted Leo

Label: Burning Building

Pick Me Up

06PickMeUp.mp3

Our Loudest Hours

12OurLoudestHours.mp3

www.myspace.com/speakerspeaker

15.04.2008

Brass: Set & Drift

posted by Will

in Best New Music, Music Reviews

brass.jpg

Short Review

If Brass were around ten years ago they would be on Desoto Records and J. Robbins would be producing this record. If that sounds appealing to you (and it should), then you need Set & Drift.

Long Review

BrassSet & Drift is just one of those records that I dread reviewing. It has been sitting at the top of my “to do reviews” pile for weeks now. This is certainly not a record that you can just sit down, listen to a couple of times and then belt out a paragraph or two and feel like you have done it some kind of justice. In fact, I spent a good hour going through my music collection just trying to draw some parallels to what the Brass are doing here. And hell, all I came up with was a list of about 10-15 bands that I’m not sure make sense or not. I did at least figure out who Brass vocalist Joe Webber reminded me so much of. It was vocalist/guitarist Donnie Dureau of the Australian band Blueline Medic. It seems as though Dureau and Webber could be voice doubles. It should also be noted that the bands are similar in scope with their angular, yet driving styles. It especially shows on the Brass track “The Optimist.” However, Brass are a bit more ambitious than Blueline Medic ever were and Set & Drift is a remarkable journey because of that.

I mention Webber’s vocals because they are certainly noteworthy. His vocals are peculiar yet they fit right in tune with the band’s sonic whirlwind. And what a maelstrom of sound Brass are able to create on Set & Drift. The band is so adept in their arrangements and everything sounds completely natural and organic. Not to mention the tracking of the album is perfect. That is a characteristic that is far too often overlooked. Bad tracking has hindered some great records over the years. Set & Drift is a tremendously diverse album as well. Brass can go from tempered instrumentals to raw screams at will. Screaming has become cliche but Brass practice it ever so subtly that it is able strike a real nerve. It adds yet another characteristic (aggression) to the band’s already rich sound. With all those elements at play, the band never restricts themselves and never stretches their compositions to thin. Tempos change and moods may float in and out but, there is a solid atmosphere that the band has created. It hovers over Set & Drift almost triumphantly. It is the sound of a band truly finding their own unique voice and it is intoxicating.

In this day and age it is beyond pleasurable to hear a band that is quite capable of standing completely alone against all odds and comparisons. Set & Drift is everything a rock band should strive for in an album. But, it is also mysterious and challenging. Of course that will turn some listeners away. Yet, by taking that less traveled path, Brass are primed to win a lot of hearts and ears with such a bold record. Try as you might, Set & Drift is not easily interpreted. But perhaps, that is its charm and why I can’t stop listening.

(You can get this CD for just $7 from the band or $10 for a CD/Tee combo. Hell, the layout/artwork is worth the price of admission alone.)

Genre: Indie/Rock

RIYL: The Dismemberment Plan, Jawbox, Shudder To Think, Blueline Medic, Kerosene 454, Shiner, The Standard, Juno, The Twilight Sad, Sunny Day Real Estate

Label: Self-Released

Tall Ships

Brass%20-%20Tall%20Ships.mp3

Autumn Hex Signs

01-Brass%20_%20Autumn%20Hex%20Signs.mp3

Separate Bodies

Brass%20-%20Separate%20Bodies.mp3

www.myspace.com/brasslungs