Posts Tagged ‘Modest Mouse’


23.12.2009

Look Mexico’s Best of 2009

posted by Will

in Year End Lists

Look for Look Mexico’s new album, To Bed To Battle, early next year on Suburban Home. It’s already on my Best of 2010 list.

Modest Mouse – No One’s First and You’re Next
Dirty Projectors – Bitte Orca
Dave Bazan – Curse Your Branches
mewithoutYou – It’s All Crazy! It’s All False! It’s All A Dream! It’s Alright!
Various Artists – Dark Was the Night
Fake Problems – It’s Great to be Alive
Michael Jackson – This Is It
Manchester Orchestra – Mean Everything to Nothing
Built to Spill – There is No Enemy
Frank Turner – Poetry of the Deed
Wilco – S/T

30.10.2009

Albums Of The Decade: Volume One

posted by Will

in Year End Lists

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SAL is the last stop on the Albums Of The Decade Blog Tour where ten diffierent indie blogs have chosen their favorite albums of the decade. Yesterday’s post came courtesy of The Punk Guy.

I’m keeping this initial list to a Top Ten but check back over the next few weeks as I’ll be listing forty more albums that in all will make up my Top 50 of the 00’s.

A couple of interesting facts…apparently 2000 was an amazing year. Six of my top ten albums hail from 2000 which is unbelievable. And not one album from 2004-2009 made my top ten.

Do yourself a favor and check out all the awesomeness of the blogs that participated. Thanks especially to Josh at Deckfight for spearheading this project! You rule dude!

Now onto my Top Ten of the decade…in order.

#1 The Weakerthans “Left And Leaving” (Hopeless – 2000)

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John K. Samson is a lyrical genius and Left And Leaving is probably my favorite album of all time. What else is there to say?

#2 The Lawrence Arms “The Greatest Story Ever Told” (Fat Wreck Chords – 2003)

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This is my perfect Arms record with every song bleeding into the next. Such an amazing and cohesive album especially considering you are dealing with two very distinct voices/songwriters. The Greatest Story Ever Told took the band from your typical pop/punk band to one that played pop/punk but was so much smarter (and better) than their peers. The arrangements, the songwriting, the back and forth sway of vocals…this album still gets me amped.

#3 Alkaline Trio “Maybe I’ll Catch Fire” (Asian Man – 2000)

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Probably one of my most listened to albums of all time. This record seems to get lost in their discography but not for me as this is my favorite Trio album. Dark, catchy and downright disturbing lyrics, Maybe I’ll Catch Fire is a churning and ambitious record.  Which is probably why everything the band did after this has paled in comparison for me.

#4 The Dismemberment Plan “Change” (Desoto – 2001)

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This is not even the band’s greatest album yet it still ends up on a Best of the Decade list. That’s how good The Dismemberment plan was. From my favorite live band of all time, Change saw the band maturing and discovering their own unique gifts. It was the final evolution in a band that had undergone an incredible metamorphosis. The D Plan stood by themselves in a league all their own. Of all the reunions taking place these days this is the one I truly long for.

#5 Modest Mouse “The Moon & Antarctica”  (Epic – 2000)

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This is a sprawling and unique album that no one could have expected from Modest Mouse. Accessible major label debut? Not even close. The Moon & Antarctica is a haunting yet beautiful journey into the ambitious and frayed mind of Isaac Brock. So, the next frat boy that tells you how much they love Modest Mouse tell them to go listen to this album. I bet they will be singing a different tune afterwards.

#6 And You Will Know Us By The Trail Of Dead “Source Tags & Codes”  (Interscope – 2002)

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Source Tags & Codes is such a moving and powerful album. It is the true definition of art colliding with visceral rock music. It is a shame the band could never live up to the glory and exhilaration of this album. But when listening seven years later it is apparent we should have never expected them to top this masterpiece. “A middle finger to the institution”…still gets me every time.

#7 The Appleseed Cast “Mare Vitalis”(Deep Elm – 2000)

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The band’s 2002 double LP, Low Level Owl, might be considered their crowning achievement but when I want to listen to Appleseed Cast it will always be the band’s sophomore album, Mare Vitalis. The band started their journey away from typical emo songwriting here and it’s still their finest hour in my opinion.

#8 Cursive “Domestica” (Saddle Creek – 2000)

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The relationship concept album has become Tim Kasher’s forte it seems. But Domestica was the songwriter’s first journey into the depth and despair of a troubled partnership. Emotionally raw, this is still the Cursive’s shining moment.

#9 Samiam “Astray” (Hopeless – 2000)

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No best of list would be complete without Samiam who are quite possibly the greatest pop/punk band ever. Astray is about as strong as an album can be from start to finish.

#10 Frodus “And We Washed Our Weapons in the Sea” (Fueled By Ramen – 2001)

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And We Washed Our Weapons in the Sea is perhaps one of the most under appreciated records of the decade and it is also one of the best. What is amazing to me is the fact that the band struggled to find a label to release the album. The record was finished in 1999 but was not released til 2001 by Fueled By Ramen. That label was in the throes of a change in musical direction and because of that the album seemed to fall by the wayside. This was the band’s swan song (although there has been talk of new Frodus material this year) and was unlike anything they had released before. And frankly it was different than anything else at the time as well.

Albums Of The Decade: Volume Two

Albums Of The Decade: Volume Three

Albums Of The Decade: Volume Four

28.09.2009

Heads Up! New Holopaw!

posted by Will

in Heads Up

HolopawCDJacket

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19.01.2009

Swim Party: Pixie Dust On The Blood Range

posted by Will

in Music Reviews

Going through my crazy end of the year listening there are always a few bands and albums that I truly (re)discover for the first time. San Diego’s Swim Party and their album, Pixie Dust On The Blood Range, is certainly a perfect example of how I can totally overlook an album. After delving into this album a bit more in the last few days, this band actually reminds me of SAL indie pop sweethearts, Pomegranates but perhaps a bit darker.

2008 was an interesting year for me in terms of my tastes. I have determined that I pretty much hate 98% of the bands labeled as indie pop. And I have realized what a bore indie rock has become as well. Nonetheless, bands like Swim Party fall into that rare 2% actually doing something cool within those narrow parameters and catching my attention. The band puts forth songs that slowly seep into you with haunting melodies that The Shins would kill for. However, there is much more going on instrumentally here. Reminiscent of the ridiculously underrated prog-pop of Portland, Oregon’s The Standard, Swim Party are really hitting all my buttons. So, if you like your indie pop with a bit more moody indie rock thrown in, Swim Party might just be a perfect fit.

Genre: Indie/Pop/Rock

RIYL: The Standard, The Shins, Modest Mouse

Label: Self-Released

Parliament Of Rooks

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www.myspace.com/swimparty

31.10.2008

Sun Kil Moon: April

posted by Will

in Best New Music, Music Reviews

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[Best New Music]

Sun Kil Moon is the band led by Mark Kozelek, formerly of Red House Painters. April is technically Sun Kil Moon’s third album but just the second that includes original material. 2005’s Tiny Cities preceded April and was Kozelek’s take on eleven Modest Mouse songs. The album was probably some of Kozelek’s least affecting material. Which certainly came as a shock, especially considering how brilliant Kozelek’s solo AC/DC covers album, What’s Next To The Moon, was. So, in reality April follows up 2003’s Ghosts Of The Great Highway which officially introduced Sun Kil Moon to the world.

If you thought Ghosts Of The Great Highway was sprawling (clocking in around an hour), April’s 74 minute running time will redefine your definition. It’s no surprise though. Kozelek is never one to rush his songs. Five of April’s eleven tracks reach above the seven minute mark. With Kozelek, patience has always been a virtue needed as a listener. Kozelek’s songs unfold slowly and effortlessly, never trying to force a feeling. They exist in that perfect, natural moment and that is what makes a great deal of his material so incredibly timeless. As a listener, if you patiently allow yourself to join him, well, chances are he’s already won you over.

Kozelek has a remarkable way with tone. It is such a simple and useful tool for a singer/songwriter yet so many seem to never grasp the concept. Kozelek certainly does though. His expansive songs might move at a glacial pace but they enthrall with an inviting warmth and aching beauty. His lyrics are often haunting as they long for people and places that have sadly passed. In Kozelek’s words, there is a great understanding of life, love and the forces that surround us all. April is the gentle push/pull of life at it’s most fragile and longing.

Close to seven months after the album’s original release I still find new things to love about April with each passing listen. Not only is April a definite contender for album of the year but it just might be the crowning achievement in Mark Kozelek’s impressive discography. And for a guy who has released so many amazing records, the depth of that statement is truly remarkable. But whether you start with April or somewhere earlier in Kozelek’s career is of no consequence to me. Just as long as you start somewhere.

Genre: Indie Rock/Singer/Songwriter

RIYL: Neil Young, Bonne ‘Prince’ Billy, Jason Molina

Label: Caldo Verde

Moorestown

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www.myspace.com/sunkilmoon

28.10.2008

Mock Orange: Captain Love

posted by Will

in Music Reviews

Mock Orange have had quite an odd little career. The band has been on four different labels in the US alone. This being the band’s fifth release, it’s curious to wonder why the band has yet to find a real home. Maybe they finally have with upstart indie label, Wednesday Records. Perhaps the reason for the band’s label instability has something to do with the band’s ever-changing sound. From the pop punk of Nines & Sixes (1998) to the mathy emo of The Record Play (2000) to the wide open indie rock frontiers of Mind Is Not Brain (2004), the band has rarely stood still for too long.

I have often referred to Mock Orange as a musician’s band. I know a few people who absolutely love this band and of course they are musicians themselves. Obviously, the band are great players who have an incredible wealth in talent. They prove that with their innate ability to expand and move their sound at any given time. So where does the band’s new album, Captain Love, stand?

With Captain Love the band has finally chosen to expand on a sound rather than move to a different place altogether. Captain Love picks up where Mind Is Not Brain left off. The band’s sound can be described as progressive indie guitar rock with similarities to bands like Modest Mouse, Built To Spill, Pavement and Dinosaur Jr. Front man Ryan Grisham has a familiar drawl that is reminiscent of Jeremy Enigk (Sunny Day Real Estate/Fire Theft) or Doug Marsch from Built To Spill. His voice works remarkably well with Mock Orange’s fluid and experimental approach towards what is in essence, pop music. Mind Is Not Brain clocked in at 50+ minutes and the band seemed to dabble far too much with their brand of guitar pop. However, Captain Love succeeds at being more succinct while still expanding on the sound of the band’s previous record. While I might always be partial to the band’s first few releases, Captain Love is yet another fine addition to the band’s extensive discography. And Mock Orange continue to be one of the more underrated indie bands of the past decade.

(A few album notes: The American version of Captain Love does not contain “Mommas And Babies” and “Til The Morning” which are on the Japanese version. But, it does contain “Beauty Of A Scar” which is exclusive. And the artwork by Kathleen Lolley is fabulous. She did the artwork for My Morning Jacket’s Z as well.)

Genre: Indie/Rock

RIYL: Modest Mouse, Built To Spill, Dinosaur Jr.

Label: Wednesday Records

Song In D

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Captain Love

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www.myspace.com/mockorange

08.05.2008

Colour Revolt: Plunder, Beg And Curse

posted by Will

in Music Reviews

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Plunder, Beg And Curse is a difficult album to latch onto. Whereas Colour Revolt’s debut EP was an emotional roller coaster that showcased the band’s penchant for melodies and emotion soaked rhythms, Plunder, Beg And Curse, takes the road less traveled. I am not quite sure what happened with the band’s label deal. The band originally signed to a subsidiary of Interscope to re-release their EP but Plunder, Beg And Curse appears courtesy of blues gone indie rock label, Fat Possum. And frankly, after listening to Plunder, Beg And Curse, I can tell why a major label would want to stay far, far away. They have no clue how to sell or market a record like this (or any records nowadays…hehe).

Lyrically, Colour Revolt have always been anything but light. That theme certainly continues on Plunder, Beg And Curse. The band is displaying some heavy lyrical imagery here. Religious and spiritual tones color the album’s canvas, almost to a fault. There are a few moments, like on the warm, atmospheric tracks “See It” and “Moses Of The South,” where the band chooses to come up for some much-needed air and brief levity. Much of the time though, Plunder, Beg And Curse is cold and suffers under its own weight. The band has a hard time adjusting the tempo and dynamics of their songs as well. Because of all this, Plunder, Beg And Curse struggles to make a lasting impression on the listener.

Colour Revolt are a challenging band and anyone looking for a cheap thrill from a rock record should definitely look elsewhere. Plunder, Beg And Curse suffers from the band’s complete shunning of what made their debut EP such a breath of fresh air. On the other hand, you have to admire a band seemingly unwilling to compromise their art. It is abundantly clear that Colour Revolt know exactly what they want and they certainly give it a valiant effort on Plunder, Beg And Curse. Perhaps next time, they can meet the listener somewhere in the middle.

Genre: Indie/Americana/Rock

RIYL: Modest Mouse, Archers Of Loaf, Brand New

Label: Fat Possum

Naked and Red

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A Siren

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www.myspace.com/colourrevolt

14.04.2008

All Strings & Joints: The Long EP

posted by Will

in Music Reviews

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This is one of the more interesting discs I have received here at SAL over the last couple of years. Just for the fact that the All Strings And Joints NEVER elect to stand still. Adding to the diversity of this disc is the fact that The Long EP spans different eras of the band…between June of 2003 and September of 2007 to be exact. That speaks to the diversity but it also speaks to the lack of cohesion at points as well. The catchy term of folktronica certainly comes to mind when listening to All Strings & Joints. With the addition of spoken word and vocal samples, opening track “A Walk On A Sunny Trail In Rural Pennsylvania” sounds like The Books. “We’re In The Distance” echoes the the wandering spirit of Modest Mouse. The Long EP loses a bit of focus after that though. Several tracks are seemingly just various noises and bleeps thrown together. It is experimental but to what end? The band is able to recover with the last three tracks which show some semblance of cohesion. On the somber seven-minute “Quite The Memory,” the guitar rambles on with soft vocals overhead before slowly building into a Calexico Mexican style jam. It might just be the band’s finest work here. “Glass Eyes” blazes a similar path but the results are less memorable. The nine minute “The Hard Luck Carpenter” continues the Ennio Morricone worship and closes out The Long EP on a positive note despite its verboseness. All Strings & Joints are throwing a bunch of stuff against the wall and no doubt a great deal sticks. The band is inventive in their compositions and if they can put more focus on their songwriting they have the potential for greatness. I am eager to see which way the band goes from here. If The Long EP is any indication, All Strings & Joints are open to just about anything.

Genre: Indie/Folk/Electronica

RIYL: The Books, Modest Mouse, Calexico

Label: Self-Released

We’re In The Distance

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www.myspace.com/allstrings