Posts Tagged ‘Samiam’


23.12.2009

Band Spotlight: Schematics

posted by Will

in Band Spotlight

Schematics banner

Who? Schematics

Where are they from? Columbia, SC

What do they sound like? I covered Schematics briefly here and the band has finally recorded a couple of songs. Like I said before, the band is for fans of mid to late 90’s indie/emo but with a healthy dose of pop/punk influence thrown in. I find it hard to put comparisons on these guys but I have heard bands like Samiam, The Promise Ring, Iron Chic and Small Brown Bike bantered about (thanks Andy and Eric!). Rumor is more recordings are on there way.

Schematics “The Bus Drove Off”

Schematics “All The Best Years”

16.12.2009

120 on SAL: Knapsack

posted by Will

in 120 On SAL

knapsack

When high school friends Blair Shehan and Colby Mancasola formed the band Knapsack in 1993 while studying at the University of California at Davis, little did they know that they would help to create a movement that would be so big that their band would get buried beneath it; never getting the attention or credit they were due.

Shortly after forming Knapsack, vocalist/guitarist Shehan, drummer Mancasola, guitarist Jason Bokros and bassist Rod Meyer released a 7” on the San Diego label Goldenrod Records and took to the road. The band would later become known for their relentless touring schedule, which only helped the foursome build a fan base beyond California. By May of 1994, the band had signed with Alias Records to begin on their debut full-length.

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30.10.2009

Albums Of The Decade: Volume One

posted by Will

in Year End Lists

decade

SAL is the last stop on the Albums Of The Decade Blog Tour where ten diffierent indie blogs have chosen their favorite albums of the decade. Yesterday’s post came courtesy of The Punk Guy.

I’m keeping this initial list to a Top Ten but check back over the next few weeks as I’ll be listing forty more albums that in all will make up my Top 50 of the 00’s.

A couple of interesting facts…apparently 2000 was an amazing year. Six of my top ten albums hail from 2000 which is unbelievable. And not one album from 2004-2009 made my top ten.

Do yourself a favor and check out all the awesomeness of the blogs that participated. Thanks especially to Josh at Deckfight for spearheading this project! You rule dude!

Now onto my Top Ten of the decade…in order.

#1 The Weakerthans “Left And Leaving” (Hopeless – 2000)

weakerthansleaving

John K. Samson is a lyrical genius and Left And Leaving is probably my favorite album of all time. What else is there to say?

#2 The Lawrence Arms “The Greatest Story Ever Told” (Fat Wreck Chords – 2003)

lawrencearms

This is my perfect Arms record with every song bleeding into the next. Such an amazing and cohesive album especially considering you are dealing with two very distinct voices/songwriters. The Greatest Story Ever Told took the band from your typical pop/punk band to one that played pop/punk but was so much smarter (and better) than their peers. The arrangements, the songwriting, the back and forth sway of vocals…this album still gets me amped.

#3 Alkaline Trio “Maybe I’ll Catch Fire” (Asian Man – 2000)

atrio

Probably one of my most listened to albums of all time. This record seems to get lost in their discography but not for me as this is my favorite Trio album. Dark, catchy and downright disturbing lyrics, Maybe I’ll Catch Fire is a churning and ambitious record.  Which is probably why everything the band did after this has paled in comparison for me.

#4 The Dismemberment Plan “Change” (Desoto – 2001)

dplanchange

This is not even the band’s greatest album yet it still ends up on a Best of the Decade list. That’s how good The Dismemberment plan was. From my favorite live band of all time, Change saw the band maturing and discovering their own unique gifts. It was the final evolution in a band that had undergone an incredible metamorphosis. The D Plan stood by themselves in a league all their own. Of all the reunions taking place these days this is the one I truly long for.

#5 Modest Mouse “The Moon & Antarctica”  (Epic – 2000)

modestmousemoon

This is a sprawling and unique album that no one could have expected from Modest Mouse. Accessible major label debut? Not even close. The Moon & Antarctica is a haunting yet beautiful journey into the ambitious and frayed mind of Isaac Brock. So, the next frat boy that tells you how much they love Modest Mouse tell them to go listen to this album. I bet they will be singing a different tune afterwards.

#6 And You Will Know Us By The Trail Of Dead “Source Tags & Codes”  (Interscope – 2002)

trailofdeadsourcetags

Source Tags & Codes is such a moving and powerful album. It is the true definition of art colliding with visceral rock music. It is a shame the band could never live up to the glory and exhilaration of this album. But when listening seven years later it is apparent we should have never expected them to top this masterpiece. “A middle finger to the institution”…still gets me every time.

#7 The Appleseed Cast “Mare Vitalis”(Deep Elm – 2000)

acastvitalis

The band’s 2002 double LP, Low Level Owl, might be considered their crowning achievement but when I want to listen to Appleseed Cast it will always be the band’s sophomore album, Mare Vitalis. The band started their journey away from typical emo songwriting here and it’s still their finest hour in my opinion.

#8 Cursive “Domestica” (Saddle Creek – 2000)

cursivedomestica

The relationship concept album has become Tim Kasher’s forte it seems. But Domestica was the songwriter’s first journey into the depth and despair of a troubled partnership. Emotionally raw, this is still the Cursive’s shining moment.

#9 Samiam “Astray” (Hopeless – 2000)

samiamastray

No best of list would be complete without Samiam who are quite possibly the greatest pop/punk band ever. Astray is about as strong as an album can be from start to finish.

#10 Frodus “And We Washed Our Weapons in the Sea” (Fueled By Ramen – 2001)

frodus

And We Washed Our Weapons in the Sea is perhaps one of the most under appreciated records of the decade and it is also one of the best. What is amazing to me is the fact that the band struggled to find a label to release the album. The record was finished in 1999 but was not released til 2001 by Fueled By Ramen. That label was in the throes of a change in musical direction and because of that the album seemed to fall by the wayside. This was the band’s swan song (although there has been talk of new Frodus material this year) and was unlike anything they had released before. And frankly it was different than anything else at the time as well.

Albums Of The Decade: Volume Two

Albums Of The Decade: Volume Three

Albums Of The Decade: Volume Four

27.01.2009

Memorial: The Creative Process/Berlin LP

posted by Will

in Music Reviews, Vinyl Corner

Memorial are a band I have been keeping my eye on closely. The group began when Renee Heartfelt, a band I really enjoyed, sadly disbanded. Other than the name change though, the sound has virtually stayed the same. Memorial employ the same post-hardcore dynamics practiced by Renee Heartfelt. Which basically means if bands like Quicksand, Texas Is The Reason or Samiam make you swoon then you will probably dig what Memorial got going on. The band’s debut was originally supposed to be two seperate 7-inches with Revelation Records. Which considering the band’s sound would seem like a perfect fit but for whatever reason that never materialized. Here we finally have the band’s first eight songs compiled onto one sweet looking LP, The Creative Process/Berlin. The emotionally charged vocals of Peter Appleby are the focal point for Memorial just as they were for Renee Heartfelt. But while Renee Heartfelt seemed to be distancing themselves from their roots/influences, Memorial seem quite delighted to indulge themselves. The band takes a more natural approach with their songs and there is a definite nod towards their past as Memorial retain a harder edged exterior. The Creative Process/Berlin LP is a treat for fans of this style. There were only 500 copies of this record pressed (100 black, 300 white, 100 yellow), so I suggest you get to stepping!

Full Disclosure: This band’s press is handled by Beartrap PR. I work with Beartrap PR but I do not represent this band. These are my honest opinions. No shit, I swear!

Genre: Post Hardcore

RIYL: Quicksand, Texas Is The Reason, Samiam

Label: Flight Plan

Sideways

Memorial_The%20Creative%20Process_berlin_02_Sideways.mp3

www.myspace.com/memorialband

04.12.2008

SAL’s Best Albums of 1998

posted by Will

in Year End Lists

James at Get Over Yourself had a great idea of making a list of our top records of ten years ago…way back in 1998. Eric at Can You See The Sunset and I of course fell right in line. Probably cause we’re a bunch of music dorks who will end up liking a lot of the same records anyway. Yay for grown men entertaining themselves with nonsense and irrelevant list making! Thanks Twitter! On that note, here are SAL’s favorite albums of 1998.

Alkaline Trio “Goddamnit” (Asian Man)

The Appleseed Cast “The End Of The Ring Wars” (Deep Elm)

Archers Of Loaf “White Trash Heroes” (Alias)

At The Drive-In “In/Casino/Out” (Fearless)

Avail “Over The James” (Lookout)

Braid “Frame And Canvas” (Polyvinyl)

The Broadways “Broken Star” (Asian Man)

Cursive “The Storms of Early Summer: Semantics of Song” (Saddle Creek)

Dillinger Four “Midwestern Songs Of The Americas” (Hopeless)

Elliott “US Songs” (Revelation)

Fugazi “End Hits” (Dischord)

Hellbender “Con Limon” (Reservoir)

Jets To Brazil “Orange Rhyming Dictionary” (Jade Tree)

Kid Dynamite “Self-Titled” (Jade Tree)

Knapsack “This Conversation Is Ending Starting Right Now” (Alias)

Less Than Jake “Hello Rockview” (Capital)

Mineral “EndSerenading.” (Crank)

Mock Orange “Nines & Sixes” (Lobster)

Neutral Milk Hotel “In The Aeroplane Over The Sea” (Merge)

Samiam “You Are Freaking Me Out” (Ignition)

Sunny Day Real Estate “How It Feels To Be Something On” (Sub Pop)

15.09.2008

Driving Music: Demo

posted by Will

in Music Reviews

One thing you might have learned about me over the years is that I’m slow, almost painfully so. I really despise the fact that it sometimes takes me months to write about an album or an artist that has caught my ear. But, it it is what it is I guess. All that being said, if you send me something and it moves me, I’ll eventually get around to writing a little something about it. And that is certainly the case with Driving Music’s five song solo demo EP. The personal letter attached is dated March 31st, 2008 so I assume that I got this slice of ear candy sometime in April.

Driving Music is the solo project of Brazilian musician, Fábio Andrade. Oddly enough, Andrade’s vocals remind me a great deal of Nikola Sarcevic from the Swedish band, Millencolin. Perhaps English being their second language provides that comparison rather easily. But, there is much more to it than just vocals. Millencolin’s brand of power pop/punk is true to what Driving Music are going for. These songs lay somewhere between ultra pop-punk and power pop. Bands like Samiam, Sugar and The Lemonheads are all bantered around in the bio and for good reason. But, Andrade and Driving Music are able to establish a playful sensibility and undeniable energy all their own.

Andrade seems to almost brush aside the strength of his own songwriting by saying these are “songs that are happy to be just songs.” But therein lies the romanticism and optimism of it all. Driving Music is a beautiful and relevant term for what Andrade is doing here. These songs float by much like the scenery of the open road.

Genre: Power Pop

RIYL: Millencolin, Samiam, Sugar

Label: (Self-Released)

Epigraph

02%20Epigraph.mp3

www.myspace.com/drvmusic

06.09.2007

Broadway Calls: Self-Titled

posted by Will

in Best New Music, Music Reviews

I am such a sucker for well-played pop/punk. If you would have told me ten years ago that I would still be listening to this stuff at the old age of 29, well, I would have probably smiled and said I hope so. Broadway Calls‘ self-titled debut full-length is simply one of the best pure pop/punk records I have heard in a few years. The band formed in 2005 from the ashes of hardcore act Countdown To Life. Singer/guitarist Ty Vaughn and drummer Josh Baird moved on and added Josh’s brother Robert Baird on guitar and Matt Koenig on bass/vocals to form Broadway Calls.

Broadway Calls pump out pop/punk anthems one after the other. It’s enough to knock you on your ass if you are a fan of this style. “Call It Off” sounds like a political swipe at the current administration’s readiness to put military efforts before diplomacy. It is about as political as Broadway Calls get here though. Most of the band’s songs deal with matters of the heart and struggles with life and the apathy it can cause. “Back To Oregon” shows Broadway Calls have the pop chops to make the big time if they so desire in the future. “Suffer The Kids” is a call for all of us to look at ourselves in the mirror and realize we are not innocent when it comes to the kind of world we choose to leave behind. The album’s middle third does lose a little bit of steam compared to the album’s tremendous first half. The band rebounds though with a powerful and diverse burst of songs to end the album. “Save Our Ship” starts out sounding like that obligatory acoustic song but builds to a powerful full band ending. “Life Is In The Air” is a bit of a curveball as it has a ska/reggae beat to start the track off. Album closer, “So Long My Friend” sounds like the best Green Day song never written. The band’s addition of horns to the song adds a different dynamic. Overall, the band’s debut sounds awesome. The production might be too slick at times but it does add a powerful crispness to the band’s songs. Broadway Calls have written an outstanding pop/punk record. Nothing more, nothing less.

I have already seen (obviously) lazy reviewers that have compared Broadway Calls to Fall Out Boy. That is a shame really. Broadway Calls have more heart and passion than Fall Out Boy could ever muster. Broadway Calls are more in line with early Green Day and Samiam as well as great current pop/punk bands like The Loved Ones. Much like The Loved Ones, Broadway Calls would fit right in on a hardcore show. That is a tribute to the band’s range and appeal. If you are still a fan of this type of stuff, Broadway Calls is simply a must have.

Genre: Pop/Punk

RIYL: Green Day, The Loved Ones, Samiam

Label: State Of Mind

Call It Off

SOM-20-BroadwayCalls-Callit.mp3

Broadway Calls – Suffer The Kids (video)

www.myspace.com/broadwaycalls