Posts Tagged ‘Sparklehorse’


20.10.2008

Electric President: Sleep Well

posted by Will

in Music Reviews

Electric President’s self-titled affair was one of my favorite albums of 2006. Sleep Well is the follow up and it is a completely different beast. On their debut, the young Florida duo of Ben Cooper and Alex Kane were mining more upbeat/accessible waters akin to The Postal Service. Sleep Well chooses to follow the more ghostly, expansive sounds of Cooper’s other project, Radical Face. It all makes sense though as Sleep Well is Cooper’s all-encompassing exploration of dreams and/or nightmares. Because of that theme, the album has a tendency to float or drift by as Cooper shares his eccentric tales. As with all of Cooper’s projects there is an obvious kindred spirit with Jason Lytle and the work of Grandaddy. They both have such a free-flowing nature to their sounds, it’s hard to not draw the comparison. Unlike Electric President’s self-titled debut, Sleep Well takes quite a few more listens to nuzzle up to you. While it lacks the dynamic, emotional moments of its predecessor, Sleep Well accomplishes moving the duo beyond many of those Postal Service comparisons. The album is a perfect example of Electric President’s expansive scope and growing artistry.

Genre: Indie/Pop

RIYL: Sparklehorse, Grandaddy, Pinback

Label: Morr Music

We Will Walk Through Walls

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www.myspace.com/morrelectric

02.10.2008

13ghosts: The Strangest Colored Lights

posted by Will

in Music Reviews

13ghosts are an eclectic band from Birmingham, Alabama that touch on numerous different styles. With two diverse singers and the band’s penchant to genre jump, The Strangest Colored Lights is tough to grasp without numerous listens. Touching on southern rock, country, americana, pop and everything in between, the band carves out a unique niche for themselves. The Strangest Colored Lights is a dark journey through themes as old as the deep south itself. Death constantly soaks into the album’s soul and adds a somber depth to the band’s ambitious songwriting. As it slowly twists and turns, the subtle beauty of the album recalls Mark Linkous and his work in Sparklehorse.

The band is nothing, if not diverse. “Beyond The Door” is more upbeat and has an almost power pop feel to it akin to The Posies. “Riverside” follows with a parade of horns the likes only seen on Calexico records. “Whip Poor Will” sounds like a jaunty Tom Waits-inspired number. No matter what spirits 13ghosts call upon on The Strangest Colored Lights, the band shows a remarkable range and a masterful finishing touch.

Genre: Indie/Americana

RIYL: Sparklehorse, Calexico, Tom Waits

Label: Skybucket

Riverside

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Whip Poor Will

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www.myspace.com/13ghostsband

09.06.2008

Megafaun: Bury The Square

posted by Will

in Music Reviews

Intermingled within the same musical tree that spawned Ticonderoga, Bowerbirds and Bon Iver, Megafaun are a fascinating indie/experimental/folk band from Raleigh, NC. The band’s intriguing debut, Bury The Square, resides in the same vicinity as the recently reviewed Border Radio by Blake/e/e/e. Both bands are mining the same folk territories on their respective debuts. Yet, Megafaun and Blake/e/e/e are able to break free from any constrictions as their wild, roaming spirits guide them. Megafaun eschew psychedelic aspects though; instead opting for an experimental takes on conventional folk. After the beautiful album opener, “Find Your Mark,” “Tired And Troubled” shows off that experimental side of the band. The song sounds like a hodgepodge of tape loops mixed with a rainy day acoustic folk song. But, just as the band can turn a normal song into a tape embattled hiss-fest, they can write beautifully poignant songs laced with subtle banjo and longing vocals as well. Hell, the eleven-minute “Where We Belong” encompasses all those aspects with a little feedback thrown in for good measure. “Drains” is perhaps the most stripped down song on Bury The Square and it is also the most moving. Megafaun strike a vital nerve with strained vocal harmonies that seep over less-than-perfect guitar-plucking. Clearly showing off their imperfections allows the listener to come to a striking realization. Megafaun are wonderfully flawed in every way.

Genre: Indie/Experimental/Folk

RIYL: Holopaw, Sparklehorse, Califone

Label: Table of the Elements/Radium

Find Your Mark

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www.myspace.com/megafaun

02.05.2008

Blake/e/e/e: Border Radio

posted by Will

in Best New Music, Music Reviews

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The dub of the appropriately titled album opener “Holy Dub” opens up Blake/e/e/e’s Border Radio. While it is not necessarily a harbinger of things to come, it does speak to the wide open frontiers that lay ahead of the listener. Border Radio reminds me of a band like Califone and their unique brand of songwriting. Both Califone and Blake/e/e/e are centered around folk but extensively explore the experimental side of the genre. Both groups hail from Chicago as well.

After arguably the album’s two most accessible tracks, “New Millenium’s Lack Of Self Explanation” and “The Great Rescue Episode,” the band sets off on a great exploration. Touching on another Chicago musician, “Narrow Zone” sounds like some of Tim Kinsella’s more off-the-wall material. The abrasive “Time Machine” is what I would describe as a misstep. But even a misstep brings out the charm of Blake/e/e/e. At every point of Border Radio, the band shows a willingness to use their entire sonic space. “The Thing’s Hollow” sees Marcella Riccardi taking over on vocals for the first time. Recalling the grace and power of PJ Harvey, the song rumbles below the surface before coming to an appropriate end. “Holy Yes To The Sunny Days” majestically recalls Sub Pop’s Holopaw with its banjo and understated beauty. The 10 minute “Dub-Human-Ism” is next and it is almost hypnotic in its other-worldly approach. Album closer “Saint Lawrence Tears” sees Riccardi making another vocal appearance. Once again, it is a highlight as her voice floats over a lone banjo. The song is a powerful statement that leads the album to a timely finish. The production of Settlefish guitarist Bruno Germano should be noted as he always allows the band’s unmistakable personality to breathe through.

In essence, Border Radio is a telling album title. Blake/e/e/e take the listener on a vivid and diverse musical journey. The band walks the tightrope of being eclectic but hardly ever to the detriment of their songs. Through fields of indie, folk and psychedelic rock, Blake/e/e/e delve into the heart and soul of experimental songcraft. Afterall, this is not radio, it’s Border Radio.

Genre: Indie/Experimental/Folk

RIYL: Holopaw, Sparklehorse, Califone

Label: Freefolk

New Millenium’s Lack Of Self Explanation

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The Great Rescue Episode

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www.myspace.com/blake3e

08.04.2008

Music Review – Carcrashlander

posted by Will

in Mp3, Music, Music Reviews

Carcrashlander “Carcrashlander” (Parks And Records)

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Carcrashlander is the project started by Cory Gray. You might not know that name but if you have an album from a Portland band there is probably a good chance he might be playing somewhere on it. Gray is a session player for acts as diverse as The Decemberists, Grails, Norfolk & Western, Graves and Life At These Speeds. But, you should know him best from his former band, the sadly underrated Desert City Soundtrack. Carcrashlander’s official debut album comes courtesy of an interesting new label called Parks And Records (a percentage of all sales goes towards arbor related projects). Owing comparisons towards Desert City’s more even-keeled record, the somber Perfect Addiction, Carcrashlander play dark piano-driven music. In fact, moreso than older (unreleased) Carcrashlander material, Gray often uses a full band approach here. While it adds depth to Gray’s arrangements, this is strictly his show. His piano and horn playing along with his trademark somber vocal style continue to lead the way. Carcrashlander offers up a brooding album’s worth of material here that seemingly contradicts at every point. Gray’s moody tendencies are balanced by a wealth of ominous restraint. The sound of the record is mysterious yet still oddly comforting. It all works to push the album towards beautifully, sad places. So, I guess seems fitting that a campfire adorns the front cover. While Carcrashlander’s music is warm, intimate and even inviting at times, it sheds light on a world much better off left in the dark.

Genre: Indie/Folk/Pop

RIYL: Desert City Soundtrack, Sparklehorse, The Black Heart Procession

Carbon Waltz

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www.myspace.com/carcrashlander

01.04.2008

Music Review – Scott Reynolds & The Steaming Beast

posted by Will

in Mp3, Music, Music Reviews

Scott Reynolds & The Steaming Beast “Adventure Boy” (Suburban Home)

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Now if Suburban Home would release something by Dave Smalley next, they would have the ALL trifecta. What the hell am I talking about? Well, that would give the label three projects by all three of ALL’s different lead singers. Of course you have the label already releasing (and re-releasing) just about every Drag The River record which boasts ALL’s third and current singer, Chad Price. And now you have the label releasing Scott Reynolds’ new project, The Steaming Beast. Reynolds was the second ALL singer. Much like Price’s Drag The River, Reynolds’ newest endeavor bares little resemblance to the pop-punk of ALL. Frankly, you can decipher that without even listening to the album. The credits boast producer Dave Fridmann (Mercury Rev, Sparklehorse, Mogwai) and Steven Drozd of The Flaming Lips. However, I don’t write for Maxim so I guess I should listen to Adventure Boy. The album is certainly not a chore though. The Steaming Beast combine humor and intelligence so well that it’s hard not to compare them to those early Flaming Lips records. On the other hand, The Steaming Beast never head off into those odd territories that the Lips were so well known for either. Reynolds and company might be peculiar at times, but never weird for the sake of being weird. That is an asset for Adventure Boy as the album moves at a healthy pace without ever feeling sidetracked. In fact, all this recalls the sadly defunct Troubled Hubble the most. That’s high praise indeed. For fans of quirky, offbeat pop, Scott Reynolds & The Steaming Beast might just be what you have been looking for.

Genre: Indie/Pop/Rock

RIYL: Troubled Hubble, The Flaming Lips, Ben Folds

Angel

[audio http://www.suburbanhomerecords.com/mediafiles/ScottReynolds/ScottReynolds_Angel.mp3]

www.myspace.com/scottreynoldsmusic

www.myspace.com/steamingbeast

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