I have always been sort of ambivalent towards Beach House. I’ve enjoyed the band’s material but nothing ever really seemed to stick with me. I saw the band open for The Rosebuds a few years ago and can’t remember for the life of me anything about their live show. That’s not usually a good sign. But there is something about the band’s new album, Teen Dream, that I find intriguing and intoxicating. Maybe I’m way off but Beach House remind me of the lovely Mazzy Star. Or even a more lush Band Of Horses (with female vocals of course). Teen Dream is out today on Sub Pop.
Posts Tagged ‘Sub Pop’

Oh, Hot Snakes, I miss you. Why did you have to set the bar so high? The two men that made Hot Snakes so awesome (and Drive Like Jehu as well) have of course gone their different ways and formed separate bands. John Reis formed The Night Marchers and Rick Froberg has now christened Obits. As much as Reis’ Night Marchers felt like a let down it’s hard not to feel slightly the same way about Froberg’s first project. The two projects mirror each other in the fact that they sound like what you might expect but for whatever reason the songs just aren’t quite there yet.
On I Blame You it is when Obits depart from Froberg’s patented sound that things really catch your attention. “Light Sweet Crude” breathes rustic atmospheres comparable to the great Constantines. “Run” is an awesome song that combines an almost new wave flare to Froberg’s patented guitar garage rock attack. Quite a few of these tracks showcase Froberg’s most accessible song writing yet. Unfortunately the album is uneven and runs a bit too long which tends to kill the band’s momentum just when it starts. Let’s hope on their sophomore record the band doesn’t take the foot off the pedal so much.
Label: Sub Pop
Bunch of hippies! Yup, Fleet Foxes burst onto the scene earlier this year with their fantastic debut EP, Sun Giant. Quickly to follow is the band’s debut self-titled full-length which is almost as impressive. It really is hard to believe how wet behind the ears Fleet Foxes still are. You would never know it as the band sounds like they have been putting out records for years and years now. With a sound that echoes My Morning Jacket, The Shins and Band Of Horses, Fleet Foxes are adding their own spin to this brand of Americana-laced pop. There is a definite gospel influence in Fleet Foxes soulful sound. That’s mainly because of the rich vocals of front man Robin Pecknold. His vocals and lyrical imagery provide a solid backdrop for the band to add their colorful instrumental touches around. Credit goes to veteran producer Phil Ek as well as the record sounds wonderfully textured. Fleet Foxes possess a timeless nature to their music as many of these songs sound like they could have come straight out of the 60’s. While I enjoyed the Sun Giant EP a bit more, Fleet Foxes have put forth out a strong album full of wide open spaces and intoxicating harmonies. Bunch of damn hippies!
Genre: Indie/Americana/Pop
RIYL: My Morning Jacket, Band Of Horses, The Shins
Label: Sub Pop
White Winter Hymnal
02%20White%20Winter%20Hymnal.mp3
He Doesn’t Know Why
Where does one even start with such a complex band like Women? The band recorded their debut with Sub Pop artist Chad VanGaalen “over 4 months on ghettoblasters and old tape machines in his basement, an outdoor culvert and a crawlspace.” Perhaps those environments inspire the radically varied style of the album. The band moves rather freely from spacious pop to heavy drones of noise and feedback. Much like VanGaalen’s work, the band has a lo-fi, schizophrenic character to their music.
The tightrope between noise and beauty is one that has been walked several times this year and Women try their hand at it as well. And they perform the duties rather admirably and compare favorably to a band like No Age. With years of playing together, Women haveĀ hashed out a remarkable precision and an almost polished, yet sloppy approach. It is a dynamic that should not be taken lightly. The band just signed on with well-known indie, Jagjaguwar, to re-release this album. So, I imagine you will be hearing a lot about Women in the next few months and that is for good reason. Women should have all the indie boys and girls swooning (or whatever it is that they do).
Genre: Indie/Experimental
RIYL: Animal Collective, No Age, Chad VanGaalen
Label: Flemish Eye/Jagjaguwar
Black Rice
Lesson #1 when trying to gather hype for a band. Release as much stuff as you can before you release a debut full-length. Cause when you release that debut full-length you simply can not hide behind only 1 or 2 songs anymore. Lesson #2 sign to a big indie label like Merge, Matador or maybe even Sub Pop. Lesson #3 make sure you hire a high-profile indie producer for that debut-full length so he can mask all your deficiencies. Perhaps you can even find one who is already in a hip indie band like David Sitek from TV On The Radio. Lesson #4 let him produce the record but reject his final mix for the album. It creates intrigue and controversy. It is all about stirring the pot! Lesson #5 include those hit singles that got you where you are as bonus tracks on the album. I mean, they haven’t been heard enough already, right?
Perhaps I am being a bit too harsh with my assessment. The point is that I can definitely see why people might be hating on Foals. The ingredients are certainly present. But, as much as I wanted to dislike Foals’ debut full-length album, Antidotes, it just never happened. With every listen, the band won me over more and more. Foals do more with less than any band I can recall. The band has only two speeds yet, the tracking of the album is so on point that the listener hardly notices the band’s lack of tempo shifts. David Sitek should be commended as his organic production adds a great deal of depth to the band’s brand of jittery pop. The instrumental additions of horns and organ give ample weight to the band’s often monochromatic sounds. Foals are able to wrap their songs with a unique repetition that hypnotizes the listener. Before you know it, 14 songs and nearly an hour of music has gone by. No matter what style, tempo or angle Foals choose to attack from, they are successful more times than not. So, ignore the naysayers, Foals do indeed have the antidote for boring indie rock.
Genre: Indie/Dance/Punk
RIYL: Bloc Party, The Futureheads, Gang Of Four
Label: Sub Pop
Balloons
The dub of the appropriately titled album opener “Holy Dub” opens up Blake/e/e/e’s Border Radio. While it is not necessarily a harbinger of things to come, it does speak to the wide open frontiers that lay ahead of the listener. Border Radio reminds me of a band like Califone and their unique brand of songwriting. Both Califone and Blake/e/e/e are centered around folk but extensively explore the experimental side of the genre. Both groups hail from Chicago as well.
After arguably the album’s two most accessible tracks, “New Millenium’s Lack Of Self Explanation” and “The Great Rescue Episode,” the band sets off on a great exploration. Touching on another Chicago musician, “Narrow Zone” sounds like some of Tim Kinsella’s more off-the-wall material. The abrasive “Time Machine” is what I would describe as a misstep. But even a misstep brings out the charm of Blake/e/e/e. At every point of Border Radio, the band shows a willingness to use their entire sonic space. “The Thing’s Hollow” sees Marcella Riccardi taking over on vocals for the first time. Recalling the grace and power of PJ Harvey, the song rumbles below the surface before coming to an appropriate end. “Holy Yes To The Sunny Days” majestically recalls Sub Pop’s Holopaw with its banjo and understated beauty. The 10 minute “Dub-Human-Ism” is next and it is almost hypnotic in its other-worldly approach. Album closer “Saint Lawrence Tears” sees Riccardi making another vocal appearance. Once again, it is a highlight as her voice floats over a lone banjo. The song is a powerful statement that leads the album to a timely finish. The production of Settlefish guitarist Bruno Germano should be noted as he always allows the band’s unmistakable personality to breathe through.
In essence, Border Radio is a telling album title. Blake/e/e/e take the listener on a vivid and diverse musical journey. The band walks the tightrope of being eclectic but hardly ever to the detriment of their songs. Through fields of indie, folk and psychedelic rock, Blake/e/e/e delve into the heart and soul of experimental songcraft. Afterall, this is not radio, it’s Border Radio.
Genre: Indie/Experimental/Folk
RIYL: Holopaw, Sparklehorse, Califone
Label: Freefolk
New Millenium’s Lack Of Self Explanation
02_New%20Millennium's%20Lack%20Of%20Self%20Explanation.mp3
The Great Rescue Episode
Fleet Foxes needs no more critical acclaim. The band have not even released a full-length yet (their debut, Ragged Wood, is out in May on Sub Pop) but thanks to the power of the world wide web, they are well on their way to a great musical career. Really though, it’s not about just hype in this particular case. On the band’s debut EP, Sun Giant, Fleet Foxes write haunting, moving pop that carves out it’s own special niche. The reverb soaked vocals of Robin Pecknold certainly remind one of Jim James of My Morning Jacket at times. Both vocalists are pulling from different eras. They are just as much old R&B as they are Americana. You can not teach soul and both James and Pecknold have that. Granted, Fleet Foxes aren’t a rock band like My Morning Jacket though. That’s not Fleet Foxes game and these five songs never feel lacking because of it. They band knows they simply do not need to beat you over the head to get their point across. Instead these songs float in and out with beautiful melodies. Sun Giant is subtle and succinct. The soaring vocals of Pecknold do lead the way but the band crafts out some gorgeous musical landscapes behind him. If Sun Giant is any indication, let me offer a warning, you might be sick of hearing the name Fleet Foxes by the end of 2008.
Genre: Indie/Pop
RIYL: My Morning Jacket, Band Of Horses, The Shins
Label: Sub Pop
English House
OK, this one is a foreign affair.
Foals – These guys are signed to Sub Pop so you will probably see them everywhere shortly. For good reason though. Similar to Bloc Party at times but a lot more experimental in nature.
Boyandroid – German band that reminds me of good, sensitive (emo?) rock like Death Cab For Cutie but with more balls.
Stolen Bikes Ride Faster – Ah, these guys rule…seriously. I’ve seen the band name around forever (and what a great band name it is) but had never listened til getting their Nothing Has Changed EP recently. Pop/punk rock to the tens! Viva Italia!
Fear Like Us – Folk/punk that’s actually really good. From Australia and the vocals are really similar to Chuck Ragan of Hot Water Music. Some female vocals arise as well. Fans of Rumbleseat should take note.
Marionette ID – From Budapest, Hungary, these guys play moody post-hardcore in the vein of Engine Down. This is really impressive stuff. I have a review almost ready to go on this. You can download the full album here.
Grand Archives “The Grand Archives” (Sub Pop)

I think Sub Pop must have a trademark on this sound. Grand Archives, like another newer Sub Pop band, Fleet Foxes share a great deal of similarities to older Sub Pop bands like Band Of Horses and The Shins. Once you find something that works, you might as well stick with it, right? On to the music, you have to admire a musician who leaves a successful band to start his own musical journey. From the ashes of Carissa’s Wierd, Mat Brooke and Ben Bridwell formed Band of Horses. When it became apparent that Band Of Horses was going to be primarily Bridwell’s songwriting vehicle, Brooke left to explore his own path. Enter Grand Archives.
Grand Archives breezes by with ten songs of warm, intimate indie pop. Grand Archives are certainly mining a lighter territory than Bridwell and Band Of Horses. Because of that soft rock characteristic, it sounds as if the band is barely breaking a sweat. Besides the great album opener, “Torn Blue Foam Couch,” the haunting “Sleepdriving” and the misstep into melodrama that is “The Crime Window,” the album has a tendency to just float by unnoticed. Sure, it all sounds natural and even likable but it also fails to leave much of a lasting impression.
I find it all kind of ironic that Bridwell and Brooke couldn’t bare to share songwriting duties. Cause there are a huge amount of similarities between both bands and you have to wonder what the duo might have been capable of if they had stayed together. But, I guess that is neither here nor there at this point. Both have created their own strong entities. There is no doubt that Bridwell has found his niche with Band Of Horses. I expect Brooke and Grand Archives to do the same in the future. Til then though, The Grand Archives is just a pleasant record, nothing more and nothing less.
Genre: Indie/Rock/Pop
RIYL: The Shins, Band Of Horses, Fleet Foxes
Torn Blue Foam Couch
[audio http://www.subpop.com/assets/audio/4009.mp3]
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