Posts Tagged ‘Sugar’


14.10.2008

Askeleton: The Personalization

posted by Will

in Music Reviews

I had no idea Askeleton mastermind Knol Tate was once a part of Kill Sadie and The Hidden Chord, both bands that occupy space in my music collection. Tate began Askeleton after the demise of those bands back in 2002. While there are certain small similarities to The Hidden Chord’s jumpy post-punk, there are certainly no hints at Kill Sadie’s experimental screamo. Instead, Askeleton’s The Personalization is timeless and refreshing in its simple attitude and approach. Tate, much akin to an artist like Ted Leo, has a keen sense of the subtle pop hook. So much so, that you might not even notice how infectious a melody is til hours later when you find yourself humming it. The Personalization is that kind of album though. It will sneak up on you when you least expect it. Tate has the Twin Cities running through his veins and he makes that apparent throughout the album. The free-flowing lyrics (Craig Finn/Lifter Puller/The Hold Steady), the bar rock looseness (The Replacements/The Hold Steady) and the melodic power pop nuggets (Bob Mould/Hüsker Dü/Sugar) all speak to Tate’s surroundings. There are some albums that I will continue to listen to cause I have a gut feeling they will eventually hit me. Askeleton’s The Personalization did just that and it was well worth the wait.

Genre: Indie/Pop/Rock

RIYL: The Hold Steady, The Rosebuds, Ted Leo

Label: Goodnight

Move To Switzerland

01%20Move%20To%20Switzerland.mp3

This Isn’t French

02%20This%20Isn%27t%20French.mp3

www.myspace.com/askeleton

15.09.2008

Driving Music: Demo

posted by Will

in Music Reviews

One thing you might have learned about me over the years is that I’m slow, almost painfully so. I really despise the fact that it sometimes takes me months to write about an album or an artist that has caught my ear. But, it it is what it is I guess. All that being said, if you send me something and it moves me, I’ll eventually get around to writing a little something about it. And that is certainly the case with Driving Music’s five song solo demo EP. The personal letter attached is dated March 31st, 2008 so I assume that I got this slice of ear candy sometime in April.

Driving Music is the solo project of Brazilian musician, Fábio Andrade. Oddly enough, Andrade’s vocals remind me a great deal of Nikola Sarcevic from the Swedish band, Millencolin. Perhaps English being their second language provides that comparison rather easily. But, there is much more to it than just vocals. Millencolin’s brand of power pop/punk is true to what Driving Music are going for. These songs lay somewhere between ultra pop-punk and power pop. Bands like Samiam, Sugar and The Lemonheads are all bantered around in the bio and for good reason. But, Andrade and Driving Music are able to establish a playful sensibility and undeniable energy all their own.

Andrade seems to almost brush aside the strength of his own songwriting by saying these are “songs that are happy to be just songs.” But therein lies the romanticism and optimism of it all. Driving Music is a beautiful and relevant term for what Andrade is doing here. These songs float by much like the scenery of the open road.

Genre: Power Pop

RIYL: Millencolin, Samiam, Sugar

Label: (Self-Released)

Epigraph

02%20Epigraph.mp3

www.myspace.com/drvmusic

12.05.2008

Trever Keith: Melancholics Anonymous

posted by Will

in Music Reviews

For people who have followed Face To Face over the years, it sure is wonderful to hear the familiar vocals of Trever Keith once again. As the blitzkrieg of opening track “Cross Your Heart And Hope To Die” blasts from the stereo it feels like a warm embrace from a long lost friend. Melancholics Anonymous is Keith’s unfortunately titled solo debut. Thankfully, the album sheds the singer/songwriter tag, instead going for a full band approach the majority of the time.

It becomes apparent half-way through Melancholics Anonymous that the album owes a great deal to Face To Face’s most controversial release. The ill-received 1999 album, Ignorance Is Bliss, was the band’s attempt to move out of from under the melodic pop/punk constraints. The album was seen as a failure at the time by many fans. So much so that the band let the fans pick the songs for the next record which was sarcastically titled, Reactionary. Through the subsequent years though, Ignorance Is Bliss has won quite a few Face To Face fans over, including myself. And fans of that album and Face To Face in general should find a lot to love in finally hearing Keith again on Melancholics Anonymous.

If you study Face To Face’s excellent covers album, 2001’s Standards & Practices, you can really see where the band’s influences were birthed. On that album, the band covered artists as diverse as Jawbreaker and Fugazi to The Smiths and The Psychedelic Furs. On Melancholics Anonymous those influences become even more apparent. The hints of British pop are coated all over Keith’s solo debut. Perhaps the most telling cover of Standards & Practices is Sugar’s “Helpless.” Bob Mould who had previously fronted melodic punk band Hüsker Dü moved into more accessible waters with Sugar’s finely coated pop rock. Keith emulates that movement here as he settles into a successful groove of pop bombast mixed with brit-pop tenderness. It results in an album chock full of alt-rock nuggets.

Despite Face To Face’s recent reunion shows, Melancholics Anonymous prove that Trever Keith will be just fine when he finally decides to leave Face To Face completely in his past. Granted, if you never liked Face To Face then you might want to move on before you start. But, if you ever had a soft spot for the band then you should at least give Keith’s Melancholics Anonymous a try. It might just surprise you.

Genre: Indie/Alternative/Rock

RIYL: Face To Face, Bob Mould, Samiam

Label: Self-Released

Cross Your Heart And Hope To Die

1crossyourheartandhopetodie.mp3

Half Asleep

7halfasleep.mp3