Posts Tagged ‘The Appleseed Cast’


30.10.2009

Albums Of The Decade: Volume One

posted by Will

in Year End Lists

decade

SAL is the last stop on the Albums Of The Decade Blog Tour where ten diffierent indie blogs have chosen their favorite albums of the decade. Yesterday’s post came courtesy of The Punk Guy.

I’m keeping this initial list to a Top Ten but check back over the next few weeks as I’ll be listing forty more albums that in all will make up my Top 50 of the 00’s.

A couple of interesting facts…apparently 2000 was an amazing year. Six of my top ten albums hail from 2000 which is unbelievable. And not one album from 2004-2009 made my top ten.

Do yourself a favor and check out all the awesomeness of the blogs that participated. Thanks especially to Josh at Deckfight for spearheading this project! You rule dude!

Now onto my Top Ten of the decade…in order.

#1 The Weakerthans “Left And Leaving” (Hopeless – 2000)

weakerthansleaving

John K. Samson is a lyrical genius and Left And Leaving is probably my favorite album of all time. What else is there to say?

#2 The Lawrence Arms “The Greatest Story Ever Told” (Fat Wreck Chords – 2003)

lawrencearms

This is my perfect Arms record with every song bleeding into the next. Such an amazing and cohesive album especially considering you are dealing with two very distinct voices/songwriters. The Greatest Story Ever Told took the band from your typical pop/punk band to one that played pop/punk but was so much smarter (and better) than their peers. The arrangements, the songwriting, the back and forth sway of vocals…this album still gets me amped.

#3 Alkaline Trio “Maybe I’ll Catch Fire” (Asian Man – 2000)

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Probably one of my most listened to albums of all time. This record seems to get lost in their discography but not for me as this is my favorite Trio album. Dark, catchy and downright disturbing lyrics, Maybe I’ll Catch Fire is a churning and ambitious record.  Which is probably why everything the band did after this has paled in comparison for me.

#4 The Dismemberment Plan “Change” (Desoto – 2001)

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This is not even the band’s greatest album yet it still ends up on a Best of the Decade list. That’s how good The Dismemberment plan was. From my favorite live band of all time, Change saw the band maturing and discovering their own unique gifts. It was the final evolution in a band that had undergone an incredible metamorphosis. The D Plan stood by themselves in a league all their own. Of all the reunions taking place these days this is the one I truly long for.

#5 Modest Mouse “The Moon & Antarctica”  (Epic – 2000)

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This is a sprawling and unique album that no one could have expected from Modest Mouse. Accessible major label debut? Not even close. The Moon & Antarctica is a haunting yet beautiful journey into the ambitious and frayed mind of Isaac Brock. So, the next frat boy that tells you how much they love Modest Mouse tell them to go listen to this album. I bet they will be singing a different tune afterwards.

#6 And You Will Know Us By The Trail Of Dead “Source Tags & Codes”  (Interscope – 2002)

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Source Tags & Codes is such a moving and powerful album. It is the true definition of art colliding with visceral rock music. It is a shame the band could never live up to the glory and exhilaration of this album. But when listening seven years later it is apparent we should have never expected them to top this masterpiece. “A middle finger to the institution”…still gets me every time.

#7 The Appleseed Cast “Mare Vitalis”(Deep Elm – 2000)

acastvitalis

The band’s 2002 double LP, Low Level Owl, might be considered their crowning achievement but when I want to listen to Appleseed Cast it will always be the band’s sophomore album, Mare Vitalis. The band started their journey away from typical emo songwriting here and it’s still their finest hour in my opinion.

#8 Cursive “Domestica” (Saddle Creek – 2000)

cursivedomestica

The relationship concept album has become Tim Kasher’s forte it seems. But Domestica was the songwriter’s first journey into the depth and despair of a troubled partnership. Emotionally raw, this is still the Cursive’s shining moment.

#9 Samiam “Astray” (Hopeless – 2000)

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No best of list would be complete without Samiam who are quite possibly the greatest pop/punk band ever. Astray is about as strong as an album can be from start to finish.

#10 Frodus “And We Washed Our Weapons in the Sea” (Fueled By Ramen – 2001)

frodus

And We Washed Our Weapons in the Sea is perhaps one of the most under appreciated records of the decade and it is also one of the best. What is amazing to me is the fact that the band struggled to find a label to release the album. The record was finished in 1999 but was not released til 2001 by Fueled By Ramen. That label was in the throes of a change in musical direction and because of that the album seemed to fall by the wayside. This was the band’s swan song (although there has been talk of new Frodus material this year) and was unlike anything they had released before. And frankly it was different than anything else at the time as well.

Albums Of The Decade: Volume Two

Albums Of The Decade: Volume Three

Albums Of The Decade: Volume Four

10.09.2009

The Appleseed Cast: Sagarmatha

posted by Will

in Music Reviews

acastOK, so I am a huge Appleseed Cast fan and the band’s new album came out six months ago. You can certainly draw your own conclusions as to why it has taken me so long to write Sagarmatha up. Suffice it to say this is not the band’s best work in my opinion. But, let’s keep that comment in perspective.

A lot of people will complain about the band’s leap into post-rock waters but really that is not what bothers me here or in the band’s past either. Besides, I’m not sure another band has ever managed to meld emo and post-rock so perfectly before. Sagarmatha certainly takes it to a new level though as vocals seem to have become part of the band’s background even moreso.

Sagarmatha, for all its strong moments still feels lacking and fragmented much of the time. Several of the songs come off feeling like demos or incomplete ideas. I guess that is not too surprising considering the band’s lack of a stable line-up. Yet, the founding duo of Christopher Crisci and Aaron Pillar remain the backbone of the band. And perhaps that is the most impressive quality of Sagarmatha…that the album still manages to engross across much of its 50 minute running time even though the band’s progression feels stunted somewhat.

So remember what I said. Let’s keep things in perspective. While Sagarmatha might not be The Appleseed Cast’s best work, these songs are still better than 90% of the junk out there today. If you are just discovering the band I suggest starting with Mare Vitalis and working from there. But if you are a long time fan, Sagarmatha is still worthy of ownership and many close listens.

Label: The Militia Group/Vagrant

The Summer Before
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www.myspace.com/theappleseedcast

26.02.2009

husband&wife: Dark Dark Woods

posted by Will

in Music Reviews

As much as I might think I can keep up with all the great bands and labels out there I am always humbled many times over. husband&wife’s second album, Dark Dark Woods, comes out on the band’s own Crossroads of America Records. I, of course, had no clue of neither band nor label before receiving Dark Dark Woods in the mail recently.

Dark Dark Woods starts off with “Comp Jam” which seems an appropriate title for the song and a telling way to begin the album. husband&wife eschew the model of your standard indie/emo pop song instead choosing to blow with the wind from song to song. Of course there are your more pop-focused numbers that have a certain spring in their step. Those are well done and bring to mind a band I have not thought about in ages…Silver Scooter. In fact if you told me “Support Yourself” was a long lost Silver Scooter song I wouldn’t think twice. However the band is at their best when they indulge their senses with lush, yet never oppressive, instrumentation. Providing an intimate backdrop, Dark Dark Woods is impressive and recalls the grandeur of a band like The Appleseed Cast, especially on tracks like “England Lives” and “Mulberry Squeezins”. Lyrically and vocally, singer Mike Adams’ affecting delivery recalls David Bazan (Pedro The Lion) and Ben Gibbard (Death Cab For Cutie). Perhaps that is where husband&wife sound the most pedestrian but they overcome that with relative ease.

husband&wife overflow with a touching honesty and sincerity. The attention to detail is worthy of a good pair of headphones. As words fall by the wayside all you can do is bask in the cozy, warm atmospheres of Dark Dark Woods. It is a perfect example of the vitality of indie music.

Genre: Indie/Emo/Pop

RIYL: Pedro The Lion, The Appleseed Cast, Death Cab For Cutie

Label: Crossroads Of America

England Lives

05%20England%20Lives.mp3

www.myspace.com/husbandwife

25.02.2009

Band Spotlight: In Sepia

posted by Will

in Band Spotlight

Who? In Sepia

Where are they from? Brisbane, Queensland, Australia

What do they sound like? In Sepia, much like fellow Australians Arrows, are playing that rich, driving indie/emo sound that was so popular way back in the old days (the 90’s that is). If you can still get down with bands like Mineral, The Appleseed Cast, Christie Front Drive and Penfold then In Sepia is quite simply a must have. This is beautiful and powerful stuff for fans of the genre.

Four Litre Drops

02-Four%20Litre%20Drops.mp3

03.02.2009

Henry Gale: Other Voices

posted by Will

in Best New Music, Music Reviews

[Best New Music]

Bradley and I were writing about this at the same time so I figured I would just combine our thoughts into one review. Here’s what we had to say.

Will:

When instrumental post-rock is done correctly it really is hard to ignore no matter how jaded one might be on the genre. Henry Gale certainly have the formula down but there are subtle variations to the band’s sound that make them seem like a different breed. Henry Gale are heavy but never dark and brooding. Instead the songs are lighter and are full of optimism and depth. Swirling and hopeful, Henry Gale are ushering in a softer and even more nuanced side to post rock. Well done.

Bradley:

Instrumentals for extroverts (or anyone that appreciates a good burrito). For obvious reasons, the post-rock section of my music library isn’t one that I often break out when having a few drinks with friends. Henry Gale’s debut 5 track EP Other Voices is an album that seems to do its damndest to break that mold — almost reaching through the confines of my headphones to mingle throughout the room and meet new people. Comparable in sound to the usual suspects for instrumental RIYLs, especially Giants, Henry Gale stand out from their peers by departing from the customary weighty movements in favor of a more light and playful sound — happy, even. There’s a certain Appleseed Cast feel in many places throughout this EP, which undoubtedly adds to its buoyancy. The flow from song to song is excellent, the tonality is superb — Other Voices was an absolute pleasure to listen to from start to finish.

The EP Other Voices is self-released and available in limited physical quantity from the band, as well as digitally through the usual online outlets. Thanks to Ben Hoffman of Eroica for spreading the word.

Genre: Instrumental/Post Rock

RIYL: Giants, The Appleseed Cast, Moving Mountains

Label: Self-Released

Stay Warm

05%20Stay%20Warm.mp3

www.myspace.com/henrygaleisaband

04.12.2008

SAL’s Best Albums of 1998

posted by Will

in Year End Lists

James at Get Over Yourself had a great idea of making a list of our top records of ten years ago…way back in 1998. Eric at Can You See The Sunset and I of course fell right in line. Probably cause we’re a bunch of music dorks who will end up liking a lot of the same records anyway. Yay for grown men entertaining themselves with nonsense and irrelevant list making! Thanks Twitter! On that note, here are SAL’s favorite albums of 1998.

Alkaline Trio “Goddamnit” (Asian Man)

The Appleseed Cast “The End Of The Ring Wars” (Deep Elm)

Archers Of Loaf “White Trash Heroes” (Alias)

At The Drive-In “In/Casino/Out” (Fearless)

Avail “Over The James” (Lookout)

Braid “Frame And Canvas” (Polyvinyl)

The Broadways “Broken Star” (Asian Man)

Cursive “The Storms of Early Summer: Semantics of Song” (Saddle Creek)

Dillinger Four “Midwestern Songs Of The Americas” (Hopeless)

Elliott “US Songs” (Revelation)

Fugazi “End Hits” (Dischord)

Hellbender “Con Limon” (Reservoir)

Jets To Brazil “Orange Rhyming Dictionary” (Jade Tree)

Kid Dynamite “Self-Titled” (Jade Tree)

Knapsack “This Conversation Is Ending Starting Right Now” (Alias)

Less Than Jake “Hello Rockview” (Capital)

Mineral “EndSerenading.” (Crank)

Mock Orange “Nines & Sixes” (Lobster)

Neutral Milk Hotel “In The Aeroplane Over The Sea” (Merge)

Samiam “You Are Freaking Me Out” (Ignition)

Sunny Day Real Estate “How It Feels To Be Something On” (Sub Pop)

13.10.2008

Band Spotlight: Driving On City Sidewalks

posted by Will

in Band Spotlight

Here is another new band I will be working with for Beartrap. Driving On City Sidewalks hail from Ontario, Canada and play an intriguing brand of emotion-driven rock with a heavy emphasis on instrumental passages. The band has just released the outstanding Where Angels Crowd To Listen EP courtesy of Count Your Lucky Stars. As good as the EP is, the three new songs the band has sent my way are even more impressive. For fans of Explosions In The Sky, The Appleseed Cast and Moving Mountains.

That The Sound I Make Would Be Worth Hearing

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