Posts Tagged ‘The Mountain Goats’


25.02.2010

The Taxpayers: A Rhythm In The Cages

posted by Will

in Music Reviews

taxpayers

The Taxpayers hail from Portland, Oregon and play a brand of noisy folk/punk for lack of a better description. I hate to just say Against Me! when looking for comparisons but I guess it should be expected with the style and nature of some of the band’s songs. But there are some songs that are reminiscent of early Mountain Goats material with their nasally vocals and raw production. There’s a bit more of a country element here though and definitely a genuine quality that carries the band and A Rhythm In The Cages along its weary and frustrated way. This kind of reminds me of Billy Wallace and The Wading Girl but it’s a bit more rough and punked up. Not a bad listen but not necessarily the kind of stuff I listen to much these days either.

The album can be downloaded from Quote Unquote Records here or you can purchase a physical CD from…

Label: Useless State

The Taxpayers “Never Getting Warm”

30.12.2009

Court’s Best of 2009

posted by Courtney

in Year End Lists

Courtney Drant – SAL Contributor

Jawbox – For Your Own Special Sweetheart Re-issue
Life and Times – Tragic Boogie
Future of the Left – Travels With Myself and Another
Young Widows – Old Wounds
Metric – Fantasises
Sylvie – Trees and Shade Are Our Only Fences
Art Brut – Art Brut vs Satan
Brendan Benson – My Old, Familiar Friend
The Mountain Goats – The Life Of The World To Come
Big Business – Mind the Drift

29.12.2009

Jon (from Restorations): 2009 Top Ten

posted by Will

in Year End Lists

Jon Loudon – Guitarist/Vocalist for Restorations

1. Attack In Black – “Years (By One Thousand Fingertips)”
2. Bill Callahan – “Sometimes I Wish We Were An Eagle”
3. Paint It Black – “Amnesia / Surrender” 7ins
4. Tombs – “Winter Hours”
5. Mountain Goats – “The Life Of The World To Come”
6. Baroness – “Blue Record”
7. Dinosaur Jr. – “Farm”
8. Hopalong – “Wretches”
9. Mark Kozelek – “Lost Verses – Live”
10. Tom Waits – “Orphans” 7XLP Box Set

06.11.2009

Albums Of The Decade: Volume Two

posted by Will

in Year End Lists

If you missed it, I named my Top Ten Albums of The Decade last week. Volume Two-Five of Albums of the Decade will contain my next forty favorite albums but in no particular order. So, here is Volume Two of SAL’s Albums Of The Decade…

Andrew Bird “The Mysterious Production of Eggs” (Righteous Babe – 2005)

andrewbird

The Mysterious Production of Eggs was my first introduction to Andrew Bird and wow, I was smitten from the start. I saw Mr. Bird on tour in support of this album and it only strengthened my respect for him and my love for his craft. Bird is quite simply one of the most talented musicians I have ever seen perform.

At The Drive-In “Relationship Of Command” (Grand Royal – 2000)

atthedrivein

I hate putting albums in these lists that everybody else already has as well. With that being said it is impossible to dismiss Relationship Of Command. The album is a powerful look at a band that burned so bright they had no choice but to fade away.

Broken Social Scene “You Forgot It In People” (Arts & Crafts – 2002)

brokensocialscene

Broken Social Scene’s You Forgot It In People is a wonderful and eccentric mixture of art and indie rock that recalled genre greats like Sonic Youth and Dinosaur Jr. while maintaining a unique personality of its own. The album is all over the place but in an amazingly cohesive kind of way.

Liars Academy “No News Is Good News” (Equal Vision – 2001)

liarsacademy

No News Is Good News is one of the most underrated albums I can think of during this decade. Liars Academy rose from the ashes of Cross My Heart (3/4 of XMH to be exact) and put out this gem to little fanfare and mostly ho-hum reviews. The band took what Cross My Heart was doing in the indie/emo realm and just basically picked up the tempos. I’d also suggest Cross My Heart’s last album, 2000’s Temporary Contemporary, to get a feel for how the two bands related to one another.

Ryan Adams “Heartbreaker” (Lost Highway – 2000)

ryanadamsheartbreaker

The debut that made Ryan Adams into something more than that guy from Whiskeytown. Unfortunately Adams has never quite lived up to this excellence since. Granted he’s put out some great material post-Heartbreaker but this is the one that lacks any filler whatsoever.

Ted Leo/Pharmacists “The Tyranny of Distance”  (Lookout – 2001)

tedleo

The Tyranny of Distance falls just outside of my decade top ten. This is quite simply Leo’s masterpiece and shattered any work he had been associated with before. I find myself returning to this album time and time again. The album stands out to me from Leo’s later work cause it has such a romantic and emotional quality to it that seems to be missing from his other material.

The Jealous Sound “Kill Them With Kindness” (Better Looking – 2003)

jealoussound

In regards to The Jealous Sound I always hear people say “well, Knapsack were better” and sure, they would be correct. But to dismiss The Jealous Sound is extremely short-sighted. Kill Them With Kindness may not have been the second coming of Knapsack but it was pretty damn close and proved that Blair Shehan was a songwriter that deserved more recognition.

The Mountain Goats “Tallahassee”  (4AD – 2002)

mountaingoatstallahassee

While I heard Mountain Goats material before this, Tallahassee is the album that hooked me completely. Darnielle’s storytelling lay front and center here as he tells the intimate story of a deeply troubled relationship. It’s as gripping as an album can possibly be and Darnielle makes you feel like an awkward fly on the wall throughout it all.

Up Up Down Down Left Right Left Right B A Start “And Nothing is #1″ (OHEV – 2003)

upupdowndown1

As readers of SAL should know I have always been a huge proponent of Up Up Down Down even after they called it quits. And Nothing is #1 was the band’s debut full-length and an overlooked gem by the group with the worst band name ever. I still don’t know how to describe these guys after all these years and maybe that’s why they were so damn good!

Waxwing “Nobody Can Take What Everybody Owns” (Second Nature – 2002)

waxwing

Nobody Can Take What Everybody Owns is the last Waxwing album and it is just as good as the first two and maybe even better. Which of course made the band’s break up that much harder to take. Granted I love Rocky Votolato’s solo work but I’m still clamoring for that elusive Waxwing reunion.

Albums Of The Decade: Volume One

Albums Of The Decade: Volume Three

Albums Of The Decade: Volume Four

15.06.2009

Matt Morrell: Evette

posted by Will

in Music Reviews

Matt Morrell is a singer/songwriter who I have gotten to know and enjoy chatting with on that evil site called Twitter. Evette is Morrell’s new album and is wonderfully disjointed (like the cover art) as Morrell seemingly explores every facet of his diverse songwriting. Song by song goes by as Morrell moves in and out of genre classifications with ease. I prefer songs like “Evette” that are quirky and offer bare, intimate arrangements reminiscent of The Mountain Goats or even Matty Pop Chart. “Old Black Car” and “Sharks & Oligarchs” are rustic in their Americana/pop approach and occupy Rhett Miller/Old 97’s style territory. Morrell forges an endearing innocence as he weaves his interesting tales. What should be greatly appreciated about Morrell’s songwriting on Evette is the utter lack of pretension here. You never get the feeling that Morrell is moving in any sort of false direction. Instead Morrell is letting the songs take him wherever they may go. You would be surprised how rare that is to hear these days. Morrell’s songs drift along naturally and Evette is more successful than not because of just that.

Label: Self-Released

Evette

04%20Evette.mp3

Sharks & Oligarchs

07%20Sharks%20Oligarchs.mp3

www.myspace.com/mattmorrellmusic

19.03.2009

Stephen Steinbrink: Ugly Unknowns

posted by Will

in Music Reviews

Normally going under the moniker of French Quarter, 20 year old singer/songwriter Stephen Steinbrink recently released the first album under his own name, entitled Ugly Unknowns. The album is full of dark bedroom pop that at first may seem completely harmless. However, upon repeated listens Steinbrink’s songs reveal a much deeper depth and a greater purpose.

Steinbrink’s vocals are reminiscent to Doug Martsch of Built To Spill and that is as good a starting point as anything…minus the guitar histrionics of course. The Shins also come to mind and I keep half-expecting to see “produced by Phil Ek” somewhere in the liner notes. Granted Ugly Unknowns is more lo-fi and lacks those certain production qualities. Though, that is actually beneficial to Steinbrink’s songs for they need no real studio embellishments to flourish and touch the listener at their very core. Steinbrink’s lyrics don’t deal in the abstract as they favor a literal “realness” instead. That directness brings to mind early Mountain Goats and The Microphones. The bold honesty that Steinbrink offers on Ugly Unknowns is infectious and hard to ignore.

Steinbrink’s songs, while entirely subtle, are rich with cunning melodies. Ugly Unknowns is heartbreaking in its delivery and startling in its confrontational nature. All the while, Steinbrink writes within the rickety, imperfect framework of a lo-fi pop song. Therein lies the simple brilliance and beauty of Ugly Unknowns.

Genre: Indie/Singer/Songwriter

RIYL: Elliott Smith, The Mountain Goats, The Microphones

Label: Gilgongo

Breath Of Fire

01%20Breath%20Of%20Fire.mp3

Overpassing

02%20Overpassing.mp3

www.myspace.com/frenchquartermusic

18.03.2009

Spotlight: Eric Ayotte

posted by Will

in Band Spotlight

Who? Eric Ayotte

Where are they from? Recently relocated to Bloomington, Indiana

What do they sound like? You might know Eric Ayotte only as the singer of Halo Fauna but he also does his own solo material as well. The word that keeps coming to mind when listening to Eric Ayotte is endearing. I mean the guy wrote an album’s worth of songs to his grandfather’s poetry. How beautiful is that? With his nasally vocal drawl, Ayotte reminds me most of The Mountain Goats. Ayotte’s songs are peculiar, vulnerable and touching all rolled into one. Towing the line between personal and political, Ayotte’s acoustic folk might be described as an acquired taste but it is one well worth acquiring.

Father Nurture

05%20Father%20Nuture.mp3

18.12.2008

Matt M’s Top Ten

posted by Will

in Year End Lists

Matt Morrell – Washington DC

Albums:

1. the Mountain Goats – Heretic Pride
2. Fleet Foxes – Fleet Foxes
3. David Byrne & Brian Eno – Everything that Happens will Happen Today
4. Bob Dylan – Tell Tale Signs
5. She & Him – Vol. 1
6. Randy Newman – Harps and Angels
7. Margot and The Nuclear So and So’s – Not Animal
8. Vampire Weekend – Vampire Weekend
9. Death Cab for Cutie – Narrow Stairs
10. Santogold – Santogold

Songs:

1. BPA (ft. David Byrne) – Toe Jam
2. the Mountain Goats & Kaki King – Thank You Mario But Our Princess is In Another Castle
3. David Byrne & Brian Eno – Strange Overtones
4. Damien Jurado – Gillian Was a Horse
5. Bob Dylan – Mississippi (the first version on Tell Tale Signs)
6. MGMT – Time to Pretend
7. Randy Newman – A Few Words in Defense of Our Country
8. She & Him – Sentimental Heart
9. Vampire Weekend – M79
10. Conor Oberst – Lenders in the Temple

www.myspace.com/mattmorrellmusic

30.09.2008

Good Luck: Into Lake Griffy

posted by Will

in Best New Music, Music Reviews

[Best New Music]

I picked up Good Luck’s Into Lake Griffy on the recommendations of several people who gave the band rave reviews. However, this is an album that really took its precious time making an impression on me. But, the more I listened to it the more I realized why that was the case. I think I was expecting a great pop/punk record and instead what I got was a damn pop/punk opera. When talking to Ian from Cheap Girls about this record I think he put it best when he said “it’s so accessible that you want to consider it a great pop punk record but there’s that insane fingertapping guitar, dual vocals, etc. it’s definitely unique.” He’s right too, the dynamics of the record are absolutely incredible. And the musicianship is just off the charts. So, those pre-conceived notions of Good Luck simply being a great pop/punk band are shattered while you listen in awe.

Good Luck is Matt Tobey from Matty Pop Chart/Abe Froman, Ginger Alford of One Reason and Mike Harpring of Body Hammer. Matt Tobey has a quirky, intriguing way of telling his stories. If you know him from Matty Pop Chart, then you probably know exactly what I am talking about. If not, imagine the endearing quality of say, John K. Samson of The Weakerthans or John Darnielle of The Mountain Goats. Lyrically and vocally, Tobey compares favorably to the two songwriting stalwarts. Just think more direct and more nasal. However, the unsung hero of the record might just be bassist Ginger Alford. Besides her booming bass lines, Tobey and Alford split most of the vocals as well. Alford also writes lyrics for four songs on Into Lake Griffy. There is a wonderful give and take chemistry between the two. To me, that is what propels Good Luck above Tobey’s work in Matty Pop Chart. Tobey and Alford strike a perfect balance on Into Lake Griffy and it pushes the album beyond boundaries as simple as pop punk.

I’m not sure what the future holds for Good Luck. Right now it seems the band is full steam ahead and if this record is any indication one would certainly hope they continue. Another highlight is the packaging as this self-released album matches the thought and care of the music just as much. Into Lake Griffy showcases all that is right with DIY music from head to toe.

Genre: Indie/Pop/Punk

RIYL: Matty Pop Chart, The Weakerthans, The Mountain Goats

Label: Self-Released

How To Live Here

01%20How%20To%20Live%20Here.mp3

Sleep With No Bad Dreams

10%20Sleep%20With%20No%20Bad%20Dreams.mp3

www.myspace.com/wearegoodluck

10.04.2008

Live Video: The Weakerthans/John Darnielle “Anchorless”

posted by Will

in Music Video

Hey, look who showed up at The Weakerthans show last night…none other than John Darnielle from The Mountain Goats. He joined John K. Samson up on stage for a rendition of the old Propagandhi song “Anchorless.” I got a few more videos from the show that I might post later. Sorry about the iffy quality but thems the breaks. Oh, and the show was great as expected.


The Weakerthans – John K. and John Darnielle “Anchorless” from Will Miller on Vimeo.

08.12.2007

The Weakerthans: Reunion Tour

posted by Will

in Best New Music, Music Reviews

weakerthans2.jpg

Rather than write an entire review gushing about my love for The Weakerthans or John K. Samson, I will just let his lyrics speak for themselves. As Craig Finn (an amazing lyricist in his own right) formerly of Lifter Puller and now of The Hold Steady recently stated in the Seattle rag, The Stranger, “John Samson from the Weakerthans—he is the lyricist that I can say, without hesitation, is better than I am.” And Mr. Finn would be correct.

  • “Civil Twlight”

For the most part I think about golfing and constantly calculate all the seconds left in the minutes, and so on, etcetera. Or recite the names of provinces and Hollywood actors. Oh Ontario. Oh, Jennifer Jason Leigh.

  • “Virtute the Cat Explains Her Departure” (Samson’s lyrics here are from a cat’s perspective towards his owner. This song follows up “Plea from a Cat Named Virtue” which appeared on 2003’s Reconstruction Site)

How I’d scratch the empties, desperate to hear you make the sound that you found for me. How after scrapping with the ferals and the tabby, I’d let you brush my matted fur. How I’d knead into your chest while you were sleeping. Shallow breathing made me purr. But now I can’t remember the sound that you found for me.

  • “Tournament Of Hearts”

And my popcorn squeaks a question—wonders why I’m not at home, where you wait beside a silent telephone and doodle circles within circles, all alone. Have to stop myself from climbing on the table full of empties to yell, “Why? Why can’t I draw right up to what I want to say? Why can’t I ever stop where I want to stay? I slide right through the days. I’m always throwing hack weight.

  • “Sun In An Empty Room”

The shins that we kick beneath the table, that reflexive cry. The faces we meet one awkward beat too long and terrify, know that the things we need to say have been said already anyway, by parallelograms of light on walls that we repainted white.

So take eight minutes and divide by ninety million lonely miles, and watch a shadow cross the floor. We don’t live here anymore.

  • “Night Windows”

In the stick-count for the song of knowing you’re gone, glancing up at where you lived when you lived here, I see you, suddenly alive and nearly smiling. Stop and hold my breath and watch the way you used to be.

  • “Utilities”

Got a face full of ominous weather. Smirking smile of a high pressure ridge. Got more faults than the state of California, and the heart is a badly built bridge. Seems the most I have to offer doesn’t offer much. Make it something somebody can use. Make this something somebody can use.

Reunion Tour continues the masterful work of The Weakerthans. John K. Samson continues to pen charming, poetic lyrics and the band once again provides a more than worthy backdrop. Detractors might say it is just more of the same from The Weakerthans. Whatever the case may be, at album #4, I still find myself madly in love with this band.

Genre: Indie/Pop/Rock

RIYL: Clem Snide, The Mountain Goats, Death Cab For Cutie

Night Windows

999

Sun In An Empty Room

1013

www.myspace.com/theweakerthans