Posts Tagged ‘The Replacements’


17.09.2009

Shark Speed: Seasick Music

posted by Ian

in Music Reviews

sharkspeedMy first thought? Shark Speed sounds like The Long Winters…mixed with Mouse Fire…? There is a pop sensibility that hides behind all of the dancey, jazz inspired grooves. And the phrasing of the vocals is very similar to John Roderick’s; most of the vocal rhythms mimic the rhythms of the songs, usually making for a more unique experience. The occasional use of drum machines and lo-fi electronics reminds me a bit of Kid, You’ll Move Mountains. The problem is, I’m becoming a tired of all the Minus the Bear rip-offs and these guys are definitely taking a page from that book. But while Mouse Fire can literally sound like b-sides from Planet of Ice, on Seasick Music, Shark Speed manages to at least infuse a bit more bar rock and some interesting arrangements into their overall sound…though, sadly, it’s still a sound that’s been done before.

These guys sound their best when they keep it simple. “Battle Born” grabs and keeps my attention with it’s impassioned vocals and urgent rock feel. It sounds like a shinier, more complex Henry Clay People, which is a great thing. Like taking the moody smoothness of The Smiths and combining it with The Replacements.

The problem with these bands usually lies in the vocalist and such is the case here. Shark Speed need a distinctive voice in order to stand out from the pack but they just don’t have it. The Smiths had Morrissey, The Replacements had Paul Westerberg, and Shark Speed have that guy at the mic. Maybe a bit harsh, but while the vocals are competent and the delivery on point, the overall tone is a bit forgettable, which is unfortunate. If they don’t need a new singer, they need a new approach to the vocal melodies, whether it be denser arrangements or a bit more call-and-response…I don’t know, but something there needs to be switched up. Fix that, and you have a killer band, but until then, it’s another band that sounds like other bands.

Label: Self-Released

Cast Off Dance Off
01%20Cast%20Off%20Dance%20Off.mp3

Battle Born
04%20Battle%20Born.mp3

www.myspace.com/sharkspeedrawks

22.06.2009

Jon Snodgrass: Visitor’s Band

posted by Ian

in Music Reviews

You are gonna know right away if you like this. Fan of the Drive-By Truckers? How about the more country twinged Replacements stuff? Dig scruffy-voiced dudes singing about the day-in, day-out trials of love? Yeah, me too. Will asks us to suggest a track, so I’m going to recommend a shit-kicker (there are two types of songs on this album, “shit-kickers” and “slow-talkers”): “Fast in Last”. This will give you a good idea of what you’re in for with Jon Snodgrass’ first solo effort; a perfectly paced slab of punk infused Americana.

One of the great things about Visitor’s Band is how versatile Jon’s voice sounds, which is funny, because his inflection really doesn’t change all that much; whether he’s beltin’ out a chorus, or whispering a revelation, the graveled delivery really just changes volume, not intensity. Now, I also like Drag the River, Jon’s other project, but Visitor’s Band lets him focus on himself while also gathering a bunch of great musicians to help back him up, from Two Cow Garage to Chad Rex, who played in Armchair Martian.

One more thing to note – and maybe this is the reason why I’m liking Visitor’s Band so much – is that this is another release that reminds me of my grandfather; he loved Johnny Cash and a lot of older, traditional country, so it makes sense. It seems that recently, there have been a ton of folk and country efforts from the punk community that the two of us would have been able to enjoy together, which makes all of this great output from the likes of Suburban Home and No Idea a bit bittersweet for me; I’ll always wish I had the opportunity to take Gramp to one of “my” shows. It would have finally made sense to him because good music makes sense. Whether it’s with car windows rolled down or whiskey in your glass, a release like this just sounds timeless, which is a beautiful thing.

Label: Suburban Home

Fast In Last

06%20Fast%20In%20Last.mp3

Song For Jake Nichols To Sing

04%20Song%20For%20Jake%20Nichols%20To%20Sing.mp3

www.myspace.com/jonsnodgrass

25.03.2009

Band You Should Know: The Evening Rig

posted by Will

in BYSK

I waited far too long to pick up The Evening Rig’s 2007 debut, Never Been’er. The Evening Rig are made up of members of the criminally underrated pop-punk band The Crush, as well as an ex-member of Cadillac Blindside and The Cardinal Sin. The band are triumphantly Minneapolis echoing the ghosts of the city’s classic bands. There’s also a little Old 97’s thrown in here but let’s be honest, Never Been’er seems stacked with Replacements influence. Singer/guitarist Jason Miller’s passionate vocal cry remains intact for The Evening Rig much the same as it did for The Crush. Still sounding like Blake Schwarzenbach (if you don’t know who that is you need to show yourself the door) at times, Miller also recalls another familiar front man. Perhaps it is just the change in musical scenery cause I never noticed it before but Miller’s vocals resemble Paul Westerberg (of The Replacements of course) a great deal especially on the slower paced tracks. The Evening Rig eschew much of the pop-punk of their past instead focusing on a more rustic take on Americana-laced rock and roll. Hell, with The Evening Rig around maybe we don’t need that Mats reunion so badly afterall.

Lil’ Miss Miserable

04%20Lil%27%20Miss%20Miserable.mp3

19.10.2008

120 Minutes on SAL – The Replacements “Merry Go Round” Video

posted by Will

in 120 On SAL, Music Video

- An appropriate song for the night.

16.10.2008

Ninja Gun: Restless Rubes

posted by Will

in Music Reviews

I can honestly say I have never heard a band from Valdosta, Georgia. But, Ninja Gun are a mighty fine first representative of the southern Georgia city’s musical talent. Ninja Gun (what a great band name by the way, although some may disagree) are a unique, but gratifying mixture. The band makes for an interesting and enjoyable listen as they take equal parts radio rock (Gin Blossoms), southern rock (Drive-By Truckers) and indie pop (The Shins). The band has a lot of similarities to label mates Jr. Juggernaut but Ninja Gun are offering a bit more substance on Restless Rubes. Much akin to a band like Old 97’s who straddle the line between power pop and alt-country, Ninja Gun have found quite a niche for themselves. Restless Rubes is brimming with full-throttle melodic bursts countered with restless acoustic-based numbers. It might not set the world on fire but if you are looking for a tuneful rock record the whole way through, Ninja Gun have delivered just that with Restless Rubes.

Genre: Indie/Country/Pop

RIYL: Gin Blossoms, The Replacements, Old 97’s

Label: Suburban Home

Red State Blues

03%20Red%20State%20Blues.mp3

Eight Miles Out

02%20Eight%20Miles%20Out.mp3

www.myspace.com/ninjagun

14.10.2008

Askeleton: The Personalization

posted by Will

in Music Reviews

I had no idea Askeleton mastermind Knol Tate was once a part of Kill Sadie and The Hidden Chord, both bands that occupy space in my music collection. Tate began Askeleton after the demise of those bands back in 2002. While there are certain small similarities to The Hidden Chord’s jumpy post-punk, there are certainly no hints at Kill Sadie’s experimental screamo. Instead, Askeleton’s The Personalization is timeless and refreshing in its simple attitude and approach. Tate, much akin to an artist like Ted Leo, has a keen sense of the subtle pop hook. So much so, that you might not even notice how infectious a melody is til hours later when you find yourself humming it. The Personalization is that kind of album though. It will sneak up on you when you least expect it. Tate has the Twin Cities running through his veins and he makes that apparent throughout the album. The free-flowing lyrics (Craig Finn/Lifter Puller/The Hold Steady), the bar rock looseness (The Replacements/The Hold Steady) and the melodic power pop nuggets (Bob Mould/Hüsker Dü/Sugar) all speak to Tate’s surroundings. There are some albums that I will continue to listen to cause I have a gut feeling they will eventually hit me. Askeleton’s The Personalization did just that and it was well worth the wait.

Genre: Indie/Pop/Rock

RIYL: The Hold Steady, The Rosebuds, Ted Leo

Label: Goodnight

Move To Switzerland

01%20Move%20To%20Switzerland.mp3

This Isn’t French

02%20This%20Isn%27t%20French.mp3

www.myspace.com/askeleton

04.09.2008

The Hold Steady: Stay Positive

posted by Courtney

in Music Reviews

There are certain things that make you feel American. For example, complaining about slow service in French restaurants is one. Another may be thinking Europeans really love Stella Artois. How about swearing soccer isn’t football but really soccer? A less embarrassing and offensive way is to rock out to the new Hold Steady.

The Hold Steady released their forth studio album, Stay Positive, on July 15th of this year. Like previous albums, it is a collection of songs about American kids and the booze, drugs and partying that their lives revolve around.

Stay Positive starts out strong with “Constructive Summer”, a song that exalts the summer drinking. Fans will be quickly reminded of Craig Finn’s wonderfully simple lyrical mastery. Thankfully that doesn’t diminish and is even fortified with the next track “Sequestered in Memphis”. It is easy to see why the band chose this song as the first single. It is the kind of Rock and Roll song that you’d be happy to be caught singing, almost like “Born to Run” in the 80’s. Unfortunately, the album never returns to the pop brilliance of those songs or Boys and Girls in America for that matter. Not to worry, the rest of the album is still worth weeks of consecutive play. “Slapped Actresses” pounds out rock style with fading choruses that conjures up visions of Archers of Loaf’s “After the Last Laugh”. The Hold Steady explore new musically directions with songs like “Both Crosses”. It has an empty, western feel, like something from Calexico or Nick Cave. The more moody songs like “Lord I’m Discouraged” are a good asset to the album but they just don’t quite hit you like “First Night” or “Don’t Let Me Explode”. It might be that the subject matter just isn’t as obvious.

The Hold Steady gets lot praise from critics and fans but who can complain (except for Will who still thinks Lftr Pllr is better, jerk!). Like previous releases, Stay Positive will remind people why they love American Rock and Roll. It might not be as strong as Boys and Girls in America but most listeners really won’t care. Oh, the band gets mad props for referencing Double Whiskey Coke No Ice by the D4 (Dillinger Four! – Will.). Seriously, that is fucking awesome.

Genre: Rock and Roll

RIYL: Lifter Puller, Bruce Springsteen, The Replacements

Label: Vagrant

Constructive Summer

01%20Constructive%20Summer.mp3

Stay Positive

08%20Stay%20Positive.mp3

www.myspace.com/theholdsteady