Posts Tagged ‘The Weakerthans’


08.02.2010

Best New Music: John K. Samson

posted by Ian

in Best New Music, Music Reviews, Vinyl Corner

City Route 85 White Vinyl 7″

There’s no secret here; if you like The Weakerthans, you will have already bought this. If you’ve never heard of The Weakerthans, this could be a great way to get into them. John K. Samson fronts the previously mentioned, northern-neighbor rock band responsible for several excellent albums over the last ten years or so. This short 7” (City Route 85) marks his second foray into solo work and it is a quite, contemplative piece of audio that takes you on a very personal tour of a specific area in Canada.

“Heart of the Continent” sounds akin to some of the most stripped down Weakerthans tunes. Think “Left and Leaving” or “One Great City!”. It even has a similar walking bass line plucked along on an acoustic guitar. This tune was probably meant to make it onto one of the band’s albums but found a better lyrical home on this EP. “Grace General” and “Cruise Night” sound a bit like Samson breaking from the constraints of his band and writing much more for himself. “Grace General” sounds so close and intimate, almost like Samson is sharing a secret with you. “Cruise Night” bobs along on a simple plastic-straw drumbeat reminiscent of Onelinedrawing’s older work. I can almost imagine the 1989 Casio keyboard that was most likely used…it was probably missing a few keys, just like mine.

This is a beautiful effort from John K. Samson and the kind of record you feel privileged to hear. This is a master showcasing his talents in their barest and most honest form. I just hope this is a teaser for an upcoming full-length…

Label: Anti-

John K. Samson “Grace General”

05.02.2010

Band Spotlight: Sundials

posted by Will

in Band Spotlight

Who? Sundials

Where are they from? Richmond, VA

What do they sound like? Power pop/punk goodness! Man, these guys remind me of someone and I just can not put my finger on it exactly. I’ve been racking my brain and going through old CDs but to no avail. Oh well, I will figure it out eventually and all you need to know is that this is great stuff either way. I could tell by the band’s influences that I was gonna love them…”The Lemonheads, Dinosaur Jr, Jawbreaker, The Weakerthans, Husker Du…”, I mean, c’mon!

If you dig modern stuff like Cheap Girls, Failures’ Union or Tin Armor you can add Sundials to your list of favorites.

The band’s first six songs are available for free download from If You Make It. And of those six, the first three songs will be released as a 7″ on Impermanent Records which I will definitely be purchasing!

Sundials “Neighborhood Well”

30.10.2009

Albums Of The Decade: Volume One

posted by Will

in Year End Lists

decade

SAL is the last stop on the Albums Of The Decade Blog Tour where ten diffierent indie blogs have chosen their favorite albums of the decade. Yesterday’s post came courtesy of The Punk Guy.

I’m keeping this initial list to a Top Ten but check back over the next few weeks as I’ll be listing forty more albums that in all will make up my Top 50 of the 00’s.

A couple of interesting facts…apparently 2000 was an amazing year. Six of my top ten albums hail from 2000 which is unbelievable. And not one album from 2004-2009 made my top ten.

Do yourself a favor and check out all the awesomeness of the blogs that participated. Thanks especially to Josh at Deckfight for spearheading this project! You rule dude!

Now onto my Top Ten of the decade…in order.

#1 The Weakerthans “Left And Leaving” (Hopeless – 2000)

weakerthansleaving

John K. Samson is a lyrical genius and Left And Leaving is probably my favorite album of all time. What else is there to say?

#2 The Lawrence Arms “The Greatest Story Ever Told” (Fat Wreck Chords – 2003)

lawrencearms

This is my perfect Arms record with every song bleeding into the next. Such an amazing and cohesive album especially considering you are dealing with two very distinct voices/songwriters. The Greatest Story Ever Told took the band from your typical pop/punk band to one that played pop/punk but was so much smarter (and better) than their peers. The arrangements, the songwriting, the back and forth sway of vocals…this album still gets me amped.

#3 Alkaline Trio “Maybe I’ll Catch Fire” (Asian Man – 2000)

atrio

Probably one of my most listened to albums of all time. This record seems to get lost in their discography but not for me as this is my favorite Trio album. Dark, catchy and downright disturbing lyrics, Maybe I’ll Catch Fire is a churning and ambitious record.  Which is probably why everything the band did after this has paled in comparison for me.

#4 The Dismemberment Plan “Change” (Desoto – 2001)

dplanchange

This is not even the band’s greatest album yet it still ends up on a Best of the Decade list. That’s how good The Dismemberment plan was. From my favorite live band of all time, Change saw the band maturing and discovering their own unique gifts. It was the final evolution in a band that had undergone an incredible metamorphosis. The D Plan stood by themselves in a league all their own. Of all the reunions taking place these days this is the one I truly long for.

#5 Modest Mouse “The Moon & Antarctica”  (Epic – 2000)

modestmousemoon

This is a sprawling and unique album that no one could have expected from Modest Mouse. Accessible major label debut? Not even close. The Moon & Antarctica is a haunting yet beautiful journey into the ambitious and frayed mind of Isaac Brock. So, the next frat boy that tells you how much they love Modest Mouse tell them to go listen to this album. I bet they will be singing a different tune afterwards.

#6 And You Will Know Us By The Trail Of Dead “Source Tags & Codes”  (Interscope – 2002)

trailofdeadsourcetags

Source Tags & Codes is such a moving and powerful album. It is the true definition of art colliding with visceral rock music. It is a shame the band could never live up to the glory and exhilaration of this album. But when listening seven years later it is apparent we should have never expected them to top this masterpiece. “A middle finger to the institution”…still gets me every time.

#7 The Appleseed Cast “Mare Vitalis”(Deep Elm – 2000)

acastvitalis

The band’s 2002 double LP, Low Level Owl, might be considered their crowning achievement but when I want to listen to Appleseed Cast it will always be the band’s sophomore album, Mare Vitalis. The band started their journey away from typical emo songwriting here and it’s still their finest hour in my opinion.

#8 Cursive “Domestica” (Saddle Creek – 2000)

cursivedomestica

The relationship concept album has become Tim Kasher’s forte it seems. But Domestica was the songwriter’s first journey into the depth and despair of a troubled partnership. Emotionally raw, this is still the Cursive’s shining moment.

#9 Samiam “Astray” (Hopeless – 2000)

samiamastray

No best of list would be complete without Samiam who are quite possibly the greatest pop/punk band ever. Astray is about as strong as an album can be from start to finish.

#10 Frodus “And We Washed Our Weapons in the Sea” (Fueled By Ramen – 2001)

frodus

And We Washed Our Weapons in the Sea is perhaps one of the most under appreciated records of the decade and it is also one of the best. What is amazing to me is the fact that the band struggled to find a label to release the album. The record was finished in 1999 but was not released til 2001 by Fueled By Ramen. That label was in the throes of a change in musical direction and because of that the album seemed to fall by the wayside. This was the band’s swan song (although there has been talk of new Frodus material this year) and was unlike anything they had released before. And frankly it was different than anything else at the time as well.

Albums Of The Decade: Volume Two

Albums Of The Decade: Volume Three

Albums Of The Decade: Volume Four

30.09.2008

Good Luck: Into Lake Griffy

posted by Will

in Best New Music, Music Reviews

[Best New Music]

I picked up Good Luck’s Into Lake Griffy on the recommendations of several people who gave the band rave reviews. However, this is an album that really took its precious time making an impression on me. But, the more I listened to it the more I realized why that was the case. I think I was expecting a great pop/punk record and instead what I got was a damn pop/punk opera. When talking to Ian from Cheap Girls about this record I think he put it best when he said “it’s so accessible that you want to consider it a great pop punk record but there’s that insane fingertapping guitar, dual vocals, etc. it’s definitely unique.” He’s right too, the dynamics of the record are absolutely incredible. And the musicianship is just off the charts. So, those pre-conceived notions of Good Luck simply being a great pop/punk band are shattered while you listen in awe.

Good Luck is Matt Tobey from Matty Pop Chart/Abe Froman, Ginger Alford of One Reason and Mike Harpring of Body Hammer. Matt Tobey has a quirky, intriguing way of telling his stories. If you know him from Matty Pop Chart, then you probably know exactly what I am talking about. If not, imagine the endearing quality of say, John K. Samson of The Weakerthans or John Darnielle of The Mountain Goats. Lyrically and vocally, Tobey compares favorably to the two songwriting stalwarts. Just think more direct and more nasal. However, the unsung hero of the record might just be bassist Ginger Alford. Besides her booming bass lines, Tobey and Alford split most of the vocals as well. Alford also writes lyrics for four songs on Into Lake Griffy. There is a wonderful give and take chemistry between the two. To me, that is what propels Good Luck above Tobey’s work in Matty Pop Chart. Tobey and Alford strike a perfect balance on Into Lake Griffy and it pushes the album beyond boundaries as simple as pop punk.

I’m not sure what the future holds for Good Luck. Right now it seems the band is full steam ahead and if this record is any indication one would certainly hope they continue. Another highlight is the packaging as this self-released album matches the thought and care of the music just as much. Into Lake Griffy showcases all that is right with DIY music from head to toe.

Genre: Indie/Pop/Punk

RIYL: Matty Pop Chart, The Weakerthans, The Mountain Goats

Label: Self-Released

How To Live Here

01%20How%20To%20Live%20Here.mp3

Sleep With No Bad Dreams

10%20Sleep%20With%20No%20Bad%20Dreams.mp3

www.myspace.com/wearegoodluck

12.06.2008

The Weakerthans “Tournament of Hearts” Video

posted by Will

in Music Video

Read more

22.04.2008

The Details: Draw A Distance. Draw A Border.

posted by Will

in Best New Music, Music Reviews

details.jpg

The Details hail from Winnipeg. That poor city, I swear, every time I hear it mentioned I think back to the great Weakerthans song, “One Great City” where John K. Samson utters the phrase I hate Winnipeg over and over again. I simply can not help it. Where am I going with this? Well, it’s all an appropriate thought when listening to The Details debut, Draw A Distance. Draw A Border. In style and tone, the Details are mining that same sonic territory as The Weakerthans. Hell, Stephen Carroll from The Weakerthans even makes an appearance on the album with his pedal steel.

Much like The Weakerthans, The Details can go from thoroughly rocking songs to touching slower pieces at the drop of a hat. The band has a remarkable balance that they strike on Draw A Distance. Draw A Border. Lyrically, The Details are more about traditional storytelling rather than poetic lyrical nuggets though. Instrumentally, the band is wonderfully rich in tone. Pedal steel, banjo, cello, viola, trumpet, piano and organ all make their mark across the extensive landscape of Draw A Distance. Draw A Border.

I’m not gonna lie. There are several songs on Draw A Distance. Draw A Border. that could easily find their way onto your local modern rock station. But, somehow, that never seems to be a turn-off. The band sounds completely sincere in their approach. They are not trying to score a cheap radio hit or make some far reaching artistic statement. They are just telling stories through song. It might be a simple concept but on Draw A Distance. Draw A Border. The Details make it sound triumphant.

Genre: Indie/Pop/Rock

RIYL: The Weakerthans, The Long Winters, Clem Snide

Label: Parliament of Trees

Underground

Underground.mp3

www.myspace.com/thedetails

13.04.2008

Live Video: The Weakerthans “Reconstruction Site” / “Aside”

posted by Will

in Music Video

The Weakerthans live at Cat’s Cradle in Carrboro, NC last week. This video has “Reconstruction Site” and then goes right into “Aside.”

13.04.2008

Live Video: The Weakerthans “My Favorite Chords”

posted by Will

in Music Video

“My Favorite Chords” by The Weakerthans from Cat’s Cradle in Carrboro, NC last week. Yes, I know…I lack a steady hand.

10.04.2008

Live Video: The Weakerthans/John Darnielle “Anchorless”

posted by Will

in Music Video

Hey, look who showed up at The Weakerthans show last night…none other than John Darnielle from The Mountain Goats. He joined John K. Samson up on stage for a rendition of the old Propagandhi song “Anchorless.” I got a few more videos from the show that I might post later. Sorry about the iffy quality but thems the breaks. Oh, and the show was great as expected.


The Weakerthans – John K. and John Darnielle “Anchorless” from Will Miller on Vimeo.

09.04.2008

April Musings

posted by Will

in Music, Music Musings, Music News, Music Video

- I’m about to head out of town for the day…going to see The Weakerthans tonight in NC. It’s probably been a good four years since I’ve seen the band so I’m rather stoked about it.

- Check out Quote Unquote Records. A very cool label idea especially in this musical climate. I suggest checking out We Versus The Shark (who have already been featured here before). The band is in the process of covering one song per month in 2008. April’s cover is “See No Evil” by Television. You can listen below.

004.mp3

- Congrats to Stuff White People Like…dudes got a 300K advance on a book deal for Random House. Simply amazing.

- Also, I literally feel bad for not mentioning this more. IF YOU MAKE IT has become such an amazing site. Dave is doing an awesome job over there. Do yourself a favor and go watch some great videos of DIY artists finally getting a deserving spotlight.

29.02.2008

Music Video: The Weakerthans “Civil Twilight”

posted by Will

in Music Video

Luv.

08.12.2007

The Weakerthans: Reunion Tour

posted by Will

in Best New Music, Music Reviews

weakerthans2.jpg

Rather than write an entire review gushing about my love for The Weakerthans or John K. Samson, I will just let his lyrics speak for themselves. As Craig Finn (an amazing lyricist in his own right) formerly of Lifter Puller and now of The Hold Steady recently stated in the Seattle rag, The Stranger, “John Samson from the Weakerthans—he is the lyricist that I can say, without hesitation, is better than I am.” And Mr. Finn would be correct.

  • “Civil Twlight”

For the most part I think about golfing and constantly calculate all the seconds left in the minutes, and so on, etcetera. Or recite the names of provinces and Hollywood actors. Oh Ontario. Oh, Jennifer Jason Leigh.

  • “Virtute the Cat Explains Her Departure” (Samson’s lyrics here are from a cat’s perspective towards his owner. This song follows up “Plea from a Cat Named Virtue” which appeared on 2003’s Reconstruction Site)

How I’d scratch the empties, desperate to hear you make the sound that you found for me. How after scrapping with the ferals and the tabby, I’d let you brush my matted fur. How I’d knead into your chest while you were sleeping. Shallow breathing made me purr. But now I can’t remember the sound that you found for me.

  • “Tournament Of Hearts”

And my popcorn squeaks a question—wonders why I’m not at home, where you wait beside a silent telephone and doodle circles within circles, all alone. Have to stop myself from climbing on the table full of empties to yell, “Why? Why can’t I draw right up to what I want to say? Why can’t I ever stop where I want to stay? I slide right through the days. I’m always throwing hack weight.

  • “Sun In An Empty Room”

The shins that we kick beneath the table, that reflexive cry. The faces we meet one awkward beat too long and terrify, know that the things we need to say have been said already anyway, by parallelograms of light on walls that we repainted white.

So take eight minutes and divide by ninety million lonely miles, and watch a shadow cross the floor. We don’t live here anymore.

  • “Night Windows”

In the stick-count for the song of knowing you’re gone, glancing up at where you lived when you lived here, I see you, suddenly alive and nearly smiling. Stop and hold my breath and watch the way you used to be.

  • “Utilities”

Got a face full of ominous weather. Smirking smile of a high pressure ridge. Got more faults than the state of California, and the heart is a badly built bridge. Seems the most I have to offer doesn’t offer much. Make it something somebody can use. Make this something somebody can use.

Reunion Tour continues the masterful work of The Weakerthans. John K. Samson continues to pen charming, poetic lyrics and the band once again provides a more than worthy backdrop. Detractors might say it is just more of the same from The Weakerthans. Whatever the case may be, at album #4, I still find myself madly in love with this band.

Genre: Indie/Pop/Rock

RIYL: Clem Snide, The Mountain Goats, Death Cab For Cutie

Night Windows

999

Sun In An Empty Room

1013

www.myspace.com/theweakerthans