Posts Tagged ‘Unwed Sailor’


03.12.2008

Bradley’s Top Ten

posted by Will

in Year End Lists

Bradley Robinson – Tampa, Florida

Top 10 is based on number of times the album was played, which was the only meaningful measure I could go by. Honorable mentions go to Cheap Girls, The State Lottery, and Dinomania.

10.  Scream Hello – Smart & Stupid EP
9.  Shuteye Unison – s/t
8.  Unwed Sailor – Little Wars
7.  Lite – Phantasia
6.  September Malevolence – After This Darkness There’s A Next
5.  You May Die In The Desert / Gifts From Enola – Harmonic Motion Volume I
4.  This Will Destroy You – s/t
3.  Algernon Cadwallader – Some Kind of Cadwallader
2.  Sybris – Into The Trees
1.  The Samuel Jackson Five – Goodbye Melody Mountain

16.06.2008

Show Review: Red Room Cinema / Unwed Sailor / Sybris

posted by Bradley

in Show Reviews

Red Room Cinema /
Unwed Sailor /
Sybris -
Friday, June 13th, 2008
The Orpheum
Tampa, FL

In true Friday the 13th form, something had to go wrong. Red Room Cinema was supposed to be the local support act, but, sadly, never made the stage. Chalk it up to some sort of miscommunication or scheduling conflict, which is a shame really. They put on a respectable live set, and their 2007 self-released s/t debut is a great listen. You snooze, you lose, I guess.

Several beers and an hour and a half later, it was time for Unwed Sailor.

With all due respect to headlining act Sybris, it was Unwed Sailor that I was there to see. Let me start by saying that Jonathan Ford is a total class act. He respectfully and sincerely thanked the dozen or so us that bothered to show up and then led the way in a truly inspired set despite the earlier snafu and despicable turnout. Playing for the 14th consecutive day on a month long tour that began on the other side of the country catches up with you eventually. It was clear that while nobody was at 100%, they gave all they had to give. The highlight was an absolutely amazing new rendition of the, dare I say, “classic” song Firecracker. To steal a shouted quote from Sybris drummer Eric Mahle, “That was like a whole pack of firecrackers.” Indeed it was. The version of this song, along with other re-worked Unwed Sailor songs will be present, I’m told, on the forthcoming 2009 release History. If Firecracker was any indication, it promises to be an album worth waiting for.

Now, with all due respect to Unwed Sailor, it was Sybris that stole the show. Admittedly not being especially fluent in their music, I brushed up on what I could prior to the show. Recorded Sybris is a little like an edgier, rockier version of the Yeah Yeah Yeahs spiced with a 90’s Sonic Youth vibe. Live Sybris is a different beast altogether. The soft is still soft, but the loud is way louder. Eric, Phil, Shawn, and Angela collectively craft a wall of sound that will both agitate your body into movement and lull you into submission. Musically, it would be tough to hammer down a favorite song – every one was tight – but Burnout Babies gets the vote simply because I got to clap along to it with Unwed Sailor. Angela Mullenhour’s voice, for those that haven’t had the pleasure of hearing it, is almost a song in and of it self and is what I can only describe as the perfect blend of salty and sweet. If Sybris ever make their way back down to Tampa, it’s safe to say that I’ll be there.

Music aside, this was one of the most personally enjoyable shows I’ve been to in a long time. The complete absence of a crowd, which I initially found somewhat embarrassing, definitely played out to my advantage in the end. I was able to talk with each member of both bands, which was a rare treat. Between songs, Angela asked if she could share my cigarette with me, to which I willingly obliged. How rockstar is that? The night was fittingly capped off with hugs, handshakes, and shots for all. As a parting gift, I received a brown paper bag packaged CD-R copy of Sybris’ new album Into The Trees that has been playing all afternoon.

Tampa, you truly missed out.

Links:
www.sybrismusic.com
www.unwedsailor.net

21.04.2008

Unwed Sailor: Little Wars

posted by Will

in Music Reviews

unwedsailor.gif

I remember purchasing Unwed Sailor’s debut, The Faithful Anchor, when it first came out way back in 2001. I don’t think I had an appreciation for how good that album was until a few years later though. You see, I was purchasing the album in hopes Unwed Sailor mastermind Jonathan Ford had recreated the math rock magic of his previous band, Roadside Monument. Due to my unfair expectations, Unwed Sailor languished in my collection for far too long. Since then, Unwed Sailor and Ford have crafted out a nice little niche for themselves within instrumental/post-rock genres. Nothing has ever seemed to touch on the simplistic beauty of The Faithful Anchor though. However, Little Wars may be the album that fans like myself have been waiting for since that initial introduction. The band has expanded and experimented more with each subsequent album it seems. However, Little Wars sees Ford and company reverting back to The Faithful Anchor’s concise, upbeat movements. Here, Ford’s compositions are precise and stay within a solid melodic framework. Ford shows at times he can still get mathematical on your ass. However, the songs retain a much-appreciated warmness because of Unwed Sailor’s insistence on not pummeling you over the head with those well-worn patterns. While it might seem calculated to some, Little Wars is a fantastic and engaging affair the whole way through.

Genre: Instrumental/Post-Rock

RIYL: El Ten Eleven, Tristeza, The Mercury Program

Label: Burnt Toast Vinyl

Little Wars

Little_Wars.mp3

Aurora

Aurora.mp3

www.myspace.com/unwedsailor

06.04.2008

Best New Music – Borko

posted by Will

in Mp3, Music, Music Reviews

BEST NEW MUSIC

Borko “Celebrating Life” (Morr Music)

borko.jpg

Morr Music have invaded Iceland it seems. Borko is the label’s third recent Icelandic signing behind Seabear and Benni Hemm Hemm. Oh, and Borko is, in my opinion, the best as well. Borko is the project of Icelandic film/theatre musicican Björn Kristiansson. He has written music for theatre as well as modern dance. On Celebrating Life, Kristiansson provides beautiful (mostly) instrumental movements that are almost post-rock in their grand scope. But there is a noticeable sense of humor and playful spirit possessed by Borko. Stiff post-rock bands are rarely able to incorporate such levity but Borko pull off the feat rather easily. One of Kristiansson’s tricks is the use of a variety of vocal effects on Celebrating Life. It creates a playfulness rarely seen in these parts. The album is accented by horns as well and that addition offers a grand characteristic to these moving pieces. It especially shows on the album’s finest work, “Summer Logic,” which mixes in some well-placed harmonica too. Actual vocals do appear on occasion, like on “Dingdong Kingdom” and “Spoonstabber,” which is about being punched in the belly…go figure. Celebrating Life is a thrilling journey for fans of instrumental music. It also marks perhaps the best Morr release since Electric President. And that is some high praise right there.

Genre: Instrumental/Rock

RIYL: Unwed Sailor, Sigur Ros, Do Make Say Think

Dingdong Kingdom

borko-dingdong-kingdom.mp3

www.myspace.com/borkoborko